Installation view of Mitchell-Innes & Nash at Art Basel, Switzerland, 2024
Installation view of Mitchell-Innes & Nash at Art Basel, Switzerland, 2024
Installation view of Mitchell-Innes & Nash at Art Basel, Switzerland, 2024
Installation view of Mitchell-Innes & Nash at Art Basel, Switzerland, 2024
Installation view of Mitchell-Innes & Nash at Art Basel, Switzerland, 2024
Installation view of Mitchell-Innes & Nash at Art Basel, Switzerland, 2024
Installation view of Mitchell-Innes & Nash at Art Basel, Switzerland, 2024
Installation view of Mitchell-Innes & Nash at Art Basel, Switzerland, 2024
Installation view of Mitchell-Innes & Nash at Art Basel, Switzerland, 2024
Installation view of Mitchell-Innes & Nash at Art Basel, Switzerland, 2024
Installation view of Mitchell-Innes & Nash at Art Basel, Switzerland, 2024
Installation view of Mitchell-Innes & Nash at Art Basel, Switzerland, 2024
Installation view of Mitchell-Innes & Nash at Art Basel, Switzerland, 2024
Installation view of Mitchell-Innes & Nash at Art Basel, Switzerland, 2024
GIDEON APPAH
Sons
2020
Oil and acrylic on two canvas panels
94 1/4 by 117 3/4 in. 239.4 by 299.1 cm.
Each panel: 47 1/8 by 117 3/4 in. 119.7 by 299.1 cm.
SARAH BRAMAN
Morning Mountain
2024
Spalted oak and glass
24 3/8 by 23 5/8 by 16 3/8 in. 61.9 by 60 by 41.6 cm.
KIKI KOGELNIK
Untitled (Still Life with Hand and Gun)
c. 1964
Oil and acrylic on canvas
18 by 12 1/8 in. 45.7 by 30.8 cm.
MARTHA ROSLER
The Gray Drape, from the series House Beautiful: Bringing the War Home, New Series
2008
Photomontage
40 by 30 in. 101.6 by 76.2 cm.
Mitchell-Innes & Nash is pleased to announce our participation in the 2024 edition of Art Basel Switzerland, located at Booth F6. Our presentation includes a selection of recent and historical work by gallery artists Gideon Appah, Sarah Braman, Anthony Caro, General Idea, Kiki Kogelnik, Pope.L, Martha Rosler, Julian Stanczak, Brent Wadden and many more. We look forward to seeing you.
Artists who reflect on the HIV/Aids crisis are taking centre stage at Art Basel, with the late photographer Peter Hujar especially undergoing a renaissance both critically and commercially. Hujar died of an Aids-related illness in 1987, aged 53; his photographs of drag queens, poets, artists and Sicilian catacombs currently on show in Venice (Portraits in Life and Death, until 24 November) have been a talking point of this year’s Biennale. The Canadian art collective General Idea is also making its presence felt at the fair with its appropriation of the Pop artist Robert Indiana’s LOVE works supplanting the word “love” with “Aids”. The work (edition two of three) is available with Mitchell-Innes & Nash gallery (€110,000). General Idea’s work takes on extra resonance following the Covid-19 pandemic, says the gallerist Lucy Mitchell-Innes.
