We write today to announce that after nearly 30 years of supporting and working with our artists from our Chelsea gallery, Mitchell-Innes & Nash will transition from our gallery in Chelsea to a project-based advisory space. Moving forward we will be working within a new paradigm, consulting with select primary market artists and estates, providing art advisory services to individual collectors and foundations, and representing artworks on the primary and secondary markets.

Mitchell-Innes & Nash, a gallery that represents artists such as Pope.L, Martha Rosler, and Jacolby Satterwhite, will close its Chelsea space and transition away from its current business model.

The gallery will now be “a project-based advisory space,” founders Lucy Mitchell-Innes and David Nash wrote in a letter sent on Friday evening that was obtained by ARTnews. “Moving forward we will be working within a new paradigm, consulting with select primary market artists and estates, providing art advisory services to individual collectors and foundations, and representing artworks on the primary and secondary markets,” the dealers wrote.

Galleria Six is proud to announce the first presentation in Italy of Paul Winstanley. Schooled in the orthodoxies of abstract Modernism, Winstanley spent a decade after college establishing a new visual language, combining the tenets of minimalism with the pictorialism of photography. The role of the viewer is central to an understanding of Winstanley's paintings and his occasional use of the figure echoes that active passivity. Engrossed, they watch, look, wait, smoke, phone, text.

Late in his career, a newfound sense of freedom led Stanczak to explore impulse and intuition in painting. The undulating curves in Warm Yellow are the result of Stanczak’s confident application of his signature tape, now placed in sweeping, free-form, unbroken lines. While the lines create organic shapes on the canvas, the start and stop point of each is anchored to a grid that stretches, with mathematical precision, from edge to edge.

American artist Eddie Martinez will represent the Republic of San Marino, the small, landlocked country on the Italian peninsula, at the 2024 Venice Biennale. Taking the title “Nomader,” the exhibition will bring together a suite of new paintings, drawings, and sculptures. Martinez is known best as a painter; his drawings and sculptures have not been exhibited as frequently.

The British sculptor Anthony Caro would have been 100 years old in March 2024. On this occasion, the Waldfrieden Sculpture Park is presenting an extensive selection of works by this pioneer of abstract sculpture.

Starting with Käthe Kollwitz's and Mona Hatoum's works, we take a new look at the Kunsthalle Bielefeld collection and present works that can be read as points of view. What they have in common is that they are resistant to what exists. Counter-images of the here and now are juxtaposed with works that directly criticize the current situation.

Space K Seoul presents a solo exhibition by Brooklyn-based artist Eddie Martinez (b.1977). The exhibition, titled 《To Be Continued》, sheds light on the artist’s oeuvre, which effortlessly fuses figuration and abstraction, from 2005 to the present, arranged both chronologically and thematically. His paintings are characterized by swift lines and bold colors, while everyday found materials add a unique texture to the flat canvases.
 

Anthony Caro (1924-2013) and Eduardo Chillida (1924-2002) are among the most eminent sculptors of the 20th century and would both have turned 100 in 2024. From 18 December 2023, Museum Würth in Künzelsau is taking this as an opportunity to use its own collection as the basis for a dialogue between the two artists in the new exhibition “Sculptors & Spaces: Anthony Caro and Eduardo Chillida” and to bring their respective oeuvres to life. 

Unless he was on sabbatical, Pope. L created a theater work with Department of Visual Art (DoVA) MFA students each year between 2011 and 2023 as a required component of their curriculum. “So over a period of ten weeks we read fairy tales,” he reflected, “looked at operas of fairy tales, read essays about the writing, politics and history of fairy tales, discussed the intersecting layers of human practice and intention that produce fairy tales and eventually created a live production of a fairy tale in the tenth week. It was a lively time and the students did a great job.” Wishing to celebrate this remarkable pedagogical encounter with its alumni, artist and DoVA faculty member Catherine Sullivan invited them to revisit Hansel and Gretel on or near the For Events platform. Alumni have also begun work on an archival project that will continue beyond the performance on May 4.

Pace Prints is pleased to present Spill Spell, an exhibition of unique works by Keltie Ferris on view April 12 – May 11, 2024, at 536 West 22nd Street. This presentation will focus on works made at the Pace Paper studio in Gowanus, Brooklyn between 2022 and 2024. 

Seventy-one visionary artists and collectives will participate in the eighty-first installment of the Whitney Biennial, opening March 20, 2024. Tickets are now on sale and Members will enjoy five days of previews, beginning March 14. 

Join artist Jessica Stockholder in conversation with curators Liz Park and Cynthia Stucki (Carnegie Museum of Art) as well as Elizabeth Chodos (Miller ICA) on the occasion of a new installation of her sculptures at Carnegie Museum of Art as well as her recently commissioned public artwork at Carnegie Mellon University.

Mary Kelly, celebrated since the 1970s for her significant contribution to conceptual and feminist art, has had a profound influence on generations of artists, writers, and curators, both through her artistic practice and her innovative teaching methods. Join Kelly and Griselda Pollock in conversation for the launch of Kelly's new book Concentric Pegagogy.

Pope.L, an uncompromising conceptual and performance artist who explored themes of race, class and what he called “have-not-ness,” and who was best known for crawling the length of Broadway in a Superman costume, died on Saturday at his home in Chicago. He was 68. The death was confirmed by his gallery, Mitchell-Innes & Nash.

Pope.L’s wide ranging practice spans writing, painting, performance, installation, sculpture and video, which will be explored across both the SLG’s Main Gallery and Fire Station. Hospital is the artist’s first solo exhibition in a London institution.

Stanczak's Succession, 1980-2013, emantes light - Barbara Stanczak explains how Julian Stanczak carefully balanced 30 different colors to create the painting’s luminous effect and writes about why this work remains one of her favorites. In the essay, she details two enduring goals of Stanczak’s artistic practice: achieving “color melt-down” and “metamorphosis.”

The Metropolitan Museum of Art announced two new artist commissions for fall 2023 following the spring opening of The Roof Garden Commission: Lauren Halsey (April 18–October 22, 2023), which will present a compelling and monumental architectural project by Lauren Halsey. From October 2, 2023 through January 7, 2024, the Museum’s Great Hall will be transformed by Jacolby Satterwhite with a site-specific video installation, a soundscape, and performances.

Go behind the scenes with artist Jacolby Satterwhite, who discusses his artistic process and inspiration for his 2023 multi-channel video installation in The Met’s Great Hall. Based within a computer-generated landscape of an imagined New York City, Satterwhite's video incorporates renderings of more than one hundred objects from the Museum's permanent collection, three-dimensional animations, and live action sequences.

On the occasion of the Carpenter Center’s 60th anniversary, This Machine Creates Opacities restages four major works by artists Robert Fulton, Renée Green, Pierre Huyghe, and Pope.L that examine the ways buildings choreograph, shape, and control social life, learning, and cultural structures. With its title borrowed from statements the artist Pope.L made about navigating the Carpenter Center building upon an invitation to make a new commission, the exhibition reflects on the program, affect, history, and various complexities of Le Corbusier’s iconic architecture.

We met artist Jessica Stockholder for a talk about why stuff, as she puts it, matters. "I think stuff is a better word than objects for me." Jessica Stockholder describes her work as "an intersection of pictorial experience with physical experience." Much of her work has a sculptural quality, even if it's hung up on a wall. "I work with a lot of different stuff, but it grows from painting," she explains.

The exhibition “Next Door” has featured 14 emerging artists from the “Future” section of the Yuz Foundation collection. Their representative works are placed in the context of “placelessness”, free from the economic status, races, social resources and other factors perceived to be required for neighbouring. Hence, the imaginary “others”, whether alienated or glorified, make their presence felt, defying the physical boundaries, and bringing narratives rooted in diverse cultures and backgrounds to our vision.

Opening at Hastings Contemporary in April 2023, Soutine | Kossoff pairs two major figures of 20th century painting: one a master of the School of Paris, the other a master of the School of London. Undertaken with the full support of the Kossoff estate, it brings together around 40 important loans from public and private collections in the UK, USA and beyond.

Anthony Caro (1924–2013), widely regarded as one of the 20th century’s most influential sculptors, is the subject of Pitzhanger’s spring exhibition, opening on what would have been his 99th birthday. Caro heralded a revolution in sculpture in the 1960s, redefining what sculpture was and what it could be. His abstract constructions in painted steel overturned conventional ideas about materials, methods, surface, scale and space.

Lucy Mitchell-Innes and David Nash parlayed their extensive experience at Sotheby’s – where Mitchell-Innes headed the worldwide contemporary division, and Nash led Impressionist and Modern – into a New York gallery. They became leaders in the secondary market before beginning to work with contemporary artists. Their daughter Josephine first tried another career, working on Charlie Rose’s television show. ‘That was intense, and she wanted a break,’ says Mitchell-Innes. ‘I said, “You can sit in the front and answer the phone.” She showed natural leadership quite quickly. About three months in, she came into my office and said, “I really have tremendous respect for what you do.”

Researchers in the arts are invited to submit their applications for the National Gallery of Canada’s General Idea Fellowship. The fellowship is open to Canadian and international Art historians, curators, critics, conservators, graduate students and independent and other professionals working in the visual arts or in museology and related disciplines in the humanities and social sciences. The application deadline is August 20, 2023, and the fellow will be announced in early September 2023.

The Stedelijk is pleased to present the largest overview of the groundbreaking Canadian artist group General Idea to date. Thanks to its special relationship with General Idea, the Stedelijk was honored with the donation of the General Idea Collection in 2018. Now the museum can present the largest-ever survey of their oeuvre, comprised of large sculptures and installations, paintings, videos and publications, archival material—and their signature wallpapers.  

A new essay explores how Stanczak created the warm, radiant glow of Green Light, 1973. “In Green Light, neither shapes nor colorants fight for individual recognition; rather, they are all subservient to the filtration of warm light. ” —Barbara Stanczak on Green Light, 1973. Click to read the full essay.

Kiki Kogelnik (1935–1997) is one of the most important Austrian-born artists of the 20th century, who lived and worked on an international level. Today, the artist is considered the only Austrian protagonist of Pop Art, but her art goes far beyond this categorization. Kogelnik's playful, colorful, and highly political work ranges from painting, drawing, ceramics and installation to performative practices, and has an astonishing topicality in terms of its subject matter. In spring 2023, the Bank Austria Kunstforum Wien will show the largest solo presentation of this outstanding artist to date.

Join an artist talk with Jacolby Satterwhite as he delves into the multilayered process of creating An Eclectic Dance to the Music of Time (2022), his site-specific film merging the past, present, and future of Lincoln Center for the Performing Arts and the New York Philharmonic. Satterwhite will discuss how community engagement and public projects fit within his artistic practice. He will also dive into his unique approach to creating dreamlike digital animations that synthesize performance, illustration, and painting.

Welcome back to the Stanczak Color Quarterly, the newsletter celebrating the work of seminal Op Artist and master colorist Julian Stanczak. Read on to discover more about Chase, 1976–77, and to learn more about recent Stanczak exhibitions and news. Chase shows four curving columns, divided into pairs of two. The pairs appear to be painted using two different sets of colors. However, within every column, Stanczak applied the same colors in the same order—with only one exception. In a new essay, Barbara Stanczak shares the colors used (showing the original color swatch) and details Julian Stanczak's method for effecting the dramatic visual color shifts we see on the canvas.

Brooklyn-based artist Eddie Martinez draws inspiration from a wide-range of sources, spanning from popular culture to Abstract Expressionism and Surrealism. Martinez‘s work joins together painting and drawing, abstraction and representation in non-traditional ways. Imbued with a sense of personal iconography, his practice often combines signature figurative elements, such as bug-eyed humans and eclectic headgear with gestural, abstract blocks of color. Energetic and raw, his paintings employ an aggressive use of color and texture with various combinations of oil, enamel, spray paint and collage elements on canvas.

52 Walker is pleased to announce its sixth exhibition, Impossible Failures, which will pair work by Gordon Matta-Clark (1943–1978) and Pope.L (b. 1955). Focusing on their shared fixation regarding the problematics of architecture, language, institutions, scale, and value, Impossible Failures will feature a selection of drawings as well as films by each artist. Pope.L will also debut a new site-specific installation, presented in collaboration with Mitchell-Innes & Nash, New York.

Join artist Jacolby Satterwhite for one of two drawing sessions in The Astor Court and The Temple of Dendur in anticipation of an upcoming project. Create drawings in response to the artist’s prompt: “Intersect Your Past, Present, and Future with the Art Work in front of you.” Satterwhite will select drawings to be a part of his upcoming work (all participants must agree to allow their artwork to be used at the artist’s discretion). All materials are provided.

Join artist Jacolby Satterwhite for one of two drawing sessions in The Astor Court and The Temple of Dendur in anticipation of an upcoming project. Create drawings in response to the artist’s prompt: “Intersect Your Past, Present, and Future with the Art Work in front of you.” Satterwhite will select drawings to be a part of his upcoming work (all participants must agree to allow their artwork to be used at the artist’s discretion). All materials are provided.

Welcome back to the Stanczak Color Quarterly, the newsletter celebrating the work of seminal Op Artist and master colorist Julian Stanczak. This issue features a 1998 work, Low Sound. At first glance, Low Sound appears to be painted in black and white. A closer look reveals the painting's predominant color to be purple (or, to be precise, two different purples). “Low Sound looks deceptively simple upon first encounter, but the longer the viewer spends with the painting, the more they experience a number of magical touches. ” —Barbara Stanczak on Low Sound

Join us at e-flux Screening Room on Tuesday, January 31 at 7pm for a screening of Ana Vaz’s The Age of Stone (2013), Oraib Toukan’s Palace of the Slave (2017), Deimantas Narkevičius’s Europa 54 54′-25 19′ (1997), and Martha Rosler’s Chile on the Road to NAFTA (1997), followed by an in-person discussion with Deimantas Narkevičius and Martha Rosler.

The Talking Eye, an exhibition covering works by conceptual North American artist Martha Rosler is scheduled to open at the Museum of Recent Art in Bucharest (MARe) on December 14. From the start of her career, much of Rosler's art reflected her interest in a variety of social issues. Her interest in feminism is represented in the MARe exhibition by the series of photomontages Body Beautiful (1966–72). She protested against the Vietnam War in the series Bringing the War Home (1967–72), while also taking a sarcastic approach to the behavioral and fashion norms imposed on US waitresses in the 1970s in the series North American Waitress, Coffee-Shop Variety (Know Your Servant Series, No. 1, 1976), also included in the MARe exhibition.

Living and working together as part of the Toronto arts and theater community, AA Bronson (b. Michael Tims, 1946, Vancouver), Felix Partz (b. Ronald Gabe, 1945, Winnipeg; d. 1994), and Jorge Zontal (b. Slobodan Saia-Levy, 1944, Parma, Italy; d. 1994) formalized their collaboration in 1969 into a single entity known as General Idea. From their earliest projects like the staging of The 1970 Miss General Idea Pageant to their late activist initiatives around the AIDS crisis (among their most famous projects is the 1983 re-envisioning of Robert Indiana’s LOVE print as a memetic icon referencing the recently-named syndrome), General Idea explored multimedia, conceptual, and performance work as a tool for engaging with common culture and its repressions.

When we grow accustomed to our day-to-day environment, we may come to believe that the spaces we live in are unremarkable. Artists like Tonawanda, New York, native Sarah Braman (American, born 1970) hope that we can take another look. Braman encourages us to think about the ways in which function, history, aesthetics, and spirituality continually shape our immediate environment. Brought meaningfully to the forefront of our minds when we encounter Braman’s sculptures, we are, at least momentarily, unable to remain indifferent to these spaces.

Pioneering and influential feminist artist Mary Kelly is best known for her 1970s conceptual art installation Post-Partum Document. But Mary Kelly: To Witness The Future will be the first exhibition to specifically explore her long engagement with activist movements. On view will be works made from 2005 to the present, including lint “paintings,” light box photographs, video art, and a live “happening.” The works all reference women’s responses to key political issues in the United States and Europe starting in the 1960s and 1970s; these issues have taken on new resonance in light of current political shifts, which may influence the course of our future.

The group exhibition at dawn draws connections between techniques of image production and the social and political work that goes into imagining alternatives to what the late Cuban American thinker José Esteban Muñoz called our “poisonous and insolvent” present. The show seeks to express a sense of art’s utopian horizon—a generative space of desire, experimentation, and queer relationality aligned with what he described as “ecstatic time.” Featuring twenty-five works that range from early performance videos by Joan Jonas to the allegorical and animated worlds of Jacolby Satterwhite, the exhibition insists on the possibility of “something else, something better, something dawning.”

Welcome back to the Stanczak Color Quarterly, the newsletter celebrating the work of seminal Op Artist and master colorist Julian Stanczak. In this issue, we investigate a 2013 work to discern the number of colors used to create the distinctive Stanczak ‘glow.’ Read on to discover more; to hear about recent Stanczak exhibitions; and to see press coverage of the new Stanczak documentary. Plus, we highlight an exciting new international collaboration.

Challenging both the art world and the world at large, General Idea (1969–1994) remains one of the most influential artist groups to have emerged from Canada. Together, Felix Partz (1945–1994), Jorge Zontal (1944–1994) and AA Bronson (b. 1946) invented a ground-breaking practice that spanned more than twenty-five years.

The Landcraft Garden Foundation announces that the 2022 season of its annual outdoor exhibition, Sculpture in the Garden, will present the work of artists Sam Moyer and Eddie Martinez. The exhibition is curated by the internationally celebrated artist Ugo Rondinone, a member of the Landcraft Garden Foundation Art Advisory Board and will be on view at Landcraft Gardens from June 4 through October 29, 2022. Sculpture in the Garden 2022: Sam Moyer and Eddie Martinez will showcase 14 sculptures by the married couple, with 11 by Martinez and three by Moyer.

Celebrate the release of ICA’s new exhibition catalog for Gideon Appah: Forgotten, Nudes, Landscapes. The book launch will be accompanied by a special screening guest curated by Egyptian NY-based film scholar Alia Ayman.

WENTRUP is pleased to present "Praise Berlin," our third solo exhibition with Los Angeles based artist Karl Haendel. This new body of work focuses on contemporary religious diversity and practice in Berlin and is following the project “Praise New York” which took place in spring at Mitchell-Innes & Nash Gallery in New York. In a series of large-scale, realistic drawings depicting the hands of some of the city’s most inspiring Buddhist, Christian, Hindu, Jewish or Muslim leaders, Haendel pays homage to a diverse group of pastors, imams, rabbis and priests. As much this project is about religious diversity, it is also about ethnic and racial diversity. Berlin is growing more diverse as immigrants arrive. Besides its Catholic and protestant residents, there is large Muslim population, growing communities of Buddhists and Hindus, and a small but vibrant community of Jews. Highlighting how these communities of believers are vibrant, welcoming, and tolerant, the artist hopes to provide space for viewers to reassess their own systems of belief, embrace complexity, and expand their acceptance.

Launched in 2018, FRONT International: Cleveland Triennial for Contemporary Art is a contemporary art exhibition across Northeast Ohio comprised of artist commissions, performances, films, and public programs that takes place across Cleveland, Akron, and Oberlin every three years. Its inaugural edition An American City, which was curated by Artistic Director Michelle Grabner, generated over 90,000 visitors from more than 25 countries and brought $31 million in new economic activity to the region.

Oh, Gods of Dust and Rainbows, the second iteration of FRONT International, will run from July 16 through October 2, 2022. Building on the success of the first edition, FRONT 2021 will further the Triennial’s commitment to stimulating new and sustained cultural conversations within the region.

Colorful tree houses, a mirrored hot-air balloon, a disco madhouse and daily invasions of Soundsuits are some of the many things you can see and experience at the FORMAT — "For Music + Art + Technology" — Festival from Friday-Monday on the private Sugar Creek Airstrip. Visual arts will play a strong role in FORMAT with installations, integrated performances and art experiences by several well-known artists, including Jacolby Satterwhite, Pia Camil and Marinella Senatore.

Julian Stanczak, a native of Poland who pioneered Op Art in the 1960s, was a poet of light and color. He carried out his work for decades in Cleveland with almost unimaginable precision for a right-handed person who lost the use of his right arm after suffering beatings in a Soviet labor camp during World War II. Stanczak also enjoyed a late-in-life surge of interest in his work and a big leap in his prices before he died in 2017 at age 88. And now, thanks to New York-based documentary film director Tomasz Magierski, also a native of Poland, Stanczak is about to get his due, cinematically speaking. On Sunday at 3:30 p.m., the Cleveland Institute of Art, where Stanczak taught for decades as a revered professor, will host the world premiere of “Julian Stanczak: To Catch the Light,’’ an hourlong documentary on the artist and his life.

Beginning July 2nd, South Etna Montauk Foundation will devote its gallery space to new works by Brooklyn-based artists Eddie Martinez and Sam Moyer. Wall pieces from Moyer’s ongoing series of stone paintings will be complemented by a pair of her concrete backgammon boards, in juxtaposition with Martinez’s latest paper-pulp paintings, produced during a recent residency at Dieu-Donné in Brooklyn. By bringing Moyer and Martinez together, the exhibition invites visitors to contemplate areas of both mutual influence and difference in the practices of these married artists.

Welcome back to the Stanczak Color Quarterly, the newsletter celebrating the work of seminal Op Artist and master colorist Julian Stanczak. This issue presents three paintings that each use different means to hold our attention as they play with our perceptions of light and depth. While all three use a similar geometric structure, the colors on each canvas engender vastly different experiences for the observer. Read on to discover more about each work, view recent Stanczak exhibitions, and see press coverage—including a vintage clipping from the archives.

The third installation of the Prints & Drawings gallery in the Nancy and Rich Kinder building opened to the public on January 7, 2022. This gallery highlights modern and contemporary works from the Prints & Drawings collection.

Postwar Modern explores the art produced in Britain in the wake of a cataclysmic war. Certainty was gone, and the aftershocks continued, but there was also hope for a better tomorrow. These conditions gave rise to an incredible richness of imagery, forms and materials in the years that followed.

On February 19, 2022, the Institute for Contemporary Art at Virginia Commonwealth University (ICA at VCU) will open the first solo exhibition by Ghanaian artist Gideon Appah. Appah is a young painter who incorporates Ghanaian cultural ephemera and imagination into his work, which responds to contemporary Ghanaian culture through newspaper clippings, entertainment posters, and films from the ’70s-’80s This exhibition will be largely comprised of newly commissioned work and will be accompanied by a fully illustrated catalog.

Welcome back to the Stanczak Color Quarterly. This newsletter celebrates the work of seminal Op-Artist Julian Stanczak, honoring his rigorous investigation—and enduring love—of color. We're happy to present this 2nd issue, which invites you to explore Brisk, 1980.

Linger and Flow is inspired by shared experiences of the COVID-19 pandemic and explores the transformative power of rest; of intentional care of oneself, others, and objects; and the pleasures of sensing and feeling the world anew. Bringing together recent acquisitions and objects that have not been on view in recent years, this exhibition highlights works in PAFA’s collection that invite us to pause and contemplate. 

This newsletter celebrates the work of seminal Op-Artist Julian Stanczak, honoring his rigorous investigation—and enduring love—of color. Our inaugural issue invites you to enjoy his 16-panel constellation painting Complementaries = Yellow, 2007.

On February 18, 2022, Jessica Stockholder was featured in the Annual Artists’ Interviews at CAA’s 110th Annual Conference, interviewed by Christine Mehring. See below to watch the interview in full!

(Never) As I Was marks the third year of the multiyear partnership between The Studio Museum in Harlem, The Museum of Modern Art, and MoMA PS1, and features new work by the 2020–21 Artist-in-Residence cohort: Widline Cadet (b. 1992, Pétion-Ville, Haiti), Texas Isaiah (b. Brooklyn, NY), Genesis Jerez (b. 1993, Bronx, NY), and Jacolby Satterwhite (b. 1986, Columbia, South Carolina).

Inspired by the solace found in video game fantasy worlds during his childhood hospitalization with osteogenic sarcoma, internationally renowned artist Jacolby Satterwhite is creating a public artwork to be situated on the site of Cleveland Clinic’s BioRepository. Developed in collaboration with residents of the immediate surrounding Fairfax neighborhood, the powerful video installation will amplify local voices, explore art as a form of healing and serve as a lasting link to the community.

Kiki Kogelnik invited to the 59th International Art Exhibition of La Biennale di Venezia. The 59th International Art Exhibition, titled The Milk of Dreams and curated by Cecilia Alemani, is organised by La Biennale di Venezia chaired by Roberto Cicutto. The Pre-opening will take place on April 20, 21 and 22; the Awards Ceremony and Inauguration will be held on 23 April 2022.

Miller ICA at Carnegie Mellon University will present the first major monographic survey of Jacolby Satterwhite’s work. Curated by Elizabeth Chodos, Spirits Roaming on the Earth traces ten years of the artist’s panoramic oeuvre. Satterwhite incorporates a broad set of real and fantastical references in his work—drawing from sources that include modernism, mythology, video gaming, queer theory, and Black culture—that inform his 3D animated videos, sculptures, electronic dance tracks, and performances. His wide-ranging practice evokes an essential moral lesson on the healing properties of human creativity as Satterwhite transforms existential uncertainty into a generative engine of resilience, reinvention, and celebration. This ability is something he shares with his late mother and muse, Patricia Satterwhite, who leveraged her own irrepressible creative energy to transform hardship into new worlds of possibility.

Launching World AIDS Day, 1 Dec 2021, CIRCA presents VideoVirus, a powerful new film by AA Bronson and General Idea. Reimagining their historic Imagevirus for a global audience, the artwork comes to life in a hypnotic video animation that virally transmits their activist message across billboards in London, Milan, New York, Seoul & Tokyo.

Throughout December, CIRCA is proud to partner with UNAIDS and Terrence Higgins Trust to mark 40 years since the disease was first recorded in 1981. A new work by AA Bronson, the sole surviving member of the General Idea art group, draws inspiration from the viral intentions of Imagevirus, which in the mid-1980s spread consciousness of the epidemic by reappropriating Robert Indiana's famous LOVE logo, virally transmitting the AIDS symbol through cities in the form of paintings, sculptures, videos, posters, and exhibitions.

Portikus is proud to present the first video solo exhibition in Germany by the renowned American artist, theater director and educator Pope.L (*1955). 

Misconceptions premieres Pope.L’s latest video production titled Missverständnisse, a work that portrays provocative stereotypes to address issues of misogyny, nation, xenophobia, racism, and prejudices that persist in society to this day. Pope.L’s new work employs satire, laughs, and taboos as vehicles for engaging pertinent and painful truths, including the blind subservience to self, patriarchy, class, nation, and the permutations of indifference. 

The ΑΒ7: ECLIPSE inhabits three neighbouring landmark buildings of the historic centre of Athens: the Former Department Store Fokas, the Former Santaroza Courthouse in Justice Square, and Schliemann-Mella Hall. These closely knit emblematic ghost buildings reflect various aspects and eras of the historical, cultural and architectural Athenian urban landscape.

Eddie Martinez Oceanic in New to the Collection on view at the Carnegie Museum of Art from March 13 – September 19, 2021.

As a draftsman, sculptor, teacher, politician, and activist, as well as action and installation artist, Joseph Beuys (1921, Krefeld – 1986, Düsseldorf) fundamentally changed the art of the twentieth century. His influence can still be felt today in artistic and political discourses. His centennial in 2021 is an occasion to rediscover and critically question both his complex work and his international appeal.

The exhibition provides profound insight into the cosmopolitical thinking of Joseph Beuys as manifested in his actions. For here—as an acting, speaking, and moving figure—Beuys examined the central and radical idea of his expanded concept of art: “Everyone is an artist”. The goal of his universalist approach was to renew society from the ground up.

Through works that bring together objects, movement, or the living body, The Paradox of Stillness explores the intersections between performance and visual art. The exhibition features some 100 artworks by successive generations of artists who test the boundaries between stillness and motion, mortality and time.

When the coronavirus pandemic shuttered its influential New York gallery and canceled art fairs worldwide, the gallerists at Mitchell-Innes & Nash went looking for new ideas. Among them was the concept of going into the hinterlands beyond Manhattan to host pop-ups and find collectors where they were as the rhythms of life were altered everywhere. Pop-ups, they believed, could replace art fairs.“We wanted to be able to supplement what was a significant part of our business,” Mitchell-Innes & Nash gallery partner Courtney Willis Blair said last week in their new Aspen pop-up.

Jacolby Satterwhite uses digital animation to construct epic imagined worlds inspired by video games, Afrofuturism, and queer theory. Birds in Paradise is set primarily in a vast coliseum over which a nude Black man wearing a cowboy hat soars on a winged metallic horse. The computer-generated scenes unfold alongside live-action footage of Satterwhite himself as he participates in Yoruba-derived rituals related to rebirth and regeneration. The soundtrack features recordings of Patricia Satterwhite, the artist’s late mother, singing the words “born to be free” and other phrases layered against electronic dance tracks. Satterwhite has described this video, with its emphasis on return and repetition, as a reflection on “being reborn and re-centering yourself, finding home again.”

Early last year, Vielmetter Los Angeles presented “Karl Haendel: Double Dominant” featuring a series of photorealistic drawings by Karl Haendel. He portrayed fellow Los Angeles artists whose work inspires him, capturing the dominant hand used in creating their work. “If you take a quick glance at one of these drawings, it looks like a right and left hand. Look more closely and you realize that’s not the case–it’s the same hand, and it’s somehow interleaved with itself,” Haendel wrote about the series. African American artists Edgar Arceneaux, EJ Hill, and Rodney McMillian are among the figures he featured. One of the works, “Double Dominant 4 (Rodney McMillian)” (2018), was recently acquired by the Hammer Museum in Los Angeles.

From May 27, 2021 to January 30, 2022, the EDF Group Foundation presents Fake News: Art, Fiction, Mensonge, an unprecedented exhibition in France bringing together the works of French and international artists who alert and question the proliferation of false information in our world hyperconnected while challenging our critical thinking. Born from a collective commission brought together by Laurence Lamy, General Delegate of the Foundation, this exhibition offers an artistic and educational stroll between reality, interpretation and perception to understand and decipher the mechanics of false information.

Minds Rising, Spirits Tuning sets out to examine the spectrum of the extended mind through artistic and theoretical means. Directed by Defne Ayas and Natasha Ginwala, the 13th Gwangju Biennale (1 April–9 May, 2021) will feature a dynamic program encompassing an exhibition, a performance program, an online publishing platform and publications, and a series of public forums bringing together artists, theoretical scientists, and systems thinkers. The Biennale argues for the primacy of plurality, positing that points of origin and influence ought to be accessed not only through the dominant technological systems and machinic vocabularies traceable to the West but also relate to heterodox ancestries.

Accra, Ghana’s Noldor Artist Residency, established this past November with an inaugural four-week residency awarded to emerging Ghanian artist Emmanuel Taku, has announced that it is adding a yearlong program for junior and senior fellows and that it will be occupying a 7,500-square foot space in a former pharmaceutical warehouse in the city’s burgeoning Labadi arts district. The fellowship program is aimed at emerging and midcareer contemporary artists from Africa and its diaspora, with the intent of helping them collectively deepen their practices, while fostering a sense of community. Additionally, the organization hopes to launch its junior fellows into the primary art market via representation by a commercial gallery.

Los Angeles-based artist Karl Haendel leverages his practice of large-scale, exquisitely executed pencil drawings to highlight the achievements of individuals overcoming immense physical hurdles. Some of the individuals pictured are professional athletes and others are relatable figures simply enjoying their freedom to move. All have used the loss of limbs not as a limitation but as a stepping stone for greater physical achievement, asking us to reexamine our customary understanding of athletic prowess and corporal perfection. The artist writes about his work:

My practice revolves around the appropriation of visual signifiers and their recontextualization through drawing. I use drawing to symbolically align myself with labor, while also invoking a basic human impulse to leave a mark. I remove images and texts from their original contexts and reconfigure them through graphite, scale and juxtaposition into a new form of visual language. I use this language to explore how our culture uses images to produce opinions, values, and beliefs and how the images we produce reflexively re-shape these frameworks.

Thursday 11 February OGR Cult inaugurates the "Cut a rug a round square" exhibition curated by the American artist Jessica Stockholder with works from two important international philanthropic collections: the "la Caixa" Contemporary Art Collection in Barcelona, one of the most prestigious collections of banking origin, and that of the Foundation for Modern and Contemporary Art CRT , whose works are on permanent loan at the Turin museums of GAM - Gallery of Modern Art and Castello di Rivoli, Museum of Contemporary Art.

Kemper Museum of Contemporary Art acquires Primary, 2020, by Eddie Martinez. A gift of Byoungho Son, Seoul, South Korea.

Jacolby Satterwhite uses video, performance, 3D animation, and drawing to build intricate digital worlds and movements that explore memory, desire, and mythology. His works feature dance and performance as well as drawings of speculative inventions designed by his mother. He borrows from aesthetic portrayals of science fiction and fantasy, relying on preexisting technologies and their surrounding subcultures to build new worlds. His future-gazing visual and sonic constructions privilege the immediacy of tactile pleasure over Western-centric myths of steady progression towards an idealized civilization.

The show’s title, LOVER‘S MATERIAL is a reference to the author Franz Schulzes characterization of the relationship between Johnson and his partner Jon Stroup. In Schulze’s biography of Johnson, Stroup is described as «comfortably passive». For Bonvicini, this opened up the notion that relationships can also be defined as something both objectifying and rationalizing. Starting with this idea, the whole exhibition delves into the relationships—economic and private, as well as political—that are linked to exhibition spaces. How can the artist’s relationship to the museum’s site, its works of art, its visitors, or its employees be defined, and what kind of dependencies are created?

100 Drawings from Now is an exhibition and benefit event supporting participating artists and The Drawing Center. Featuring drawings made by an international group of artists since early 2020, 100 Drawings from Now provides a snapshot of artistic production during a period of profound global unrest that has resulted from the ongoing health and economic crises, as well as a surge of activism in response to systemic racism, social injustice, and police brutality in the United States. 

Mary Kelly, artist and Judge Widney Professor in the Roski School of Art and Design, University of Southern California, in conversation with Shelley Langdale, curator and head of modern prints and drawings, National Gallery of Art

VIA Art Fund has announced its 2020 grant recipients, among whom the nonprofit will distribute $1.5 million, the largest disbursement it has made to date. The funds will be awarded to artists, collectives, and institutions across four categories: Artistic Production Grant Fund, VIA | Wagner Incubator Grant Fund, 2020 VIA Grantee Relief Fund, and the VIA Curatorial Fellowship.

In the first days of the Covid-19 pandemic, an informal group of contemporary galleries from around the world came together to discuss how to navigate through the new challenges of the global crisis as it affected our artists, staff and businesses. The relationships among us over weeks of exchange became close and essential and we discovered that while the pandemic had broken many things apart, it had also brought us together. A supportive sense of community ignited positivity and cooperative interactions, and the initial group of twelve grew to twenty-one. As an expression of this unity we initiated GALLERIES CURATE, a collaborative exhibition designed to express the dynamic dialogue between our individual programmes.

GALLERIES CURATE: RHE is the first chapter of this collaboration, an exhibition and website themed around a universal and, we hope, unifying subject: water. Like culture, water is never static but always in flux. Following the inaugural exhibition RHE, GALLERIES CURATE plan to invite new participants and add further curated chapters to a global conversation of thematic relationships between galleries, artists, and their audiences.

Jacolby Satterwhite is included in the group show Black Refractions: Highlights from The Studio Museum in Harlem, a major traveling exhibition comprised of over one hundred works by nearly eighty artists from the 1920s to the present.

Mitchell-Innes & Nash has promoted Courtney Willis Blair, a director at the New York gallery, to partner, The Art Newspaperreports. According to the gallery, Willis Blair, who joined the organization as an artist liaison in 2016, is one of the first of just a handful of Black partners at white-run galleries across the country and likely one of the few to ever hold a stake in a white-owned blue-chip Chelsea gallery.

The New York gallery Mitchell-Innes & Nash has promoted one of its directors, Courtney Willis Blair, to partner. The gallery says she will be one of the first few Black partners at a white-owned gallery in the US. Willis Blair joined the gallery as an artist liaison in 2016, following earlier roles at Mary Ryan Gallery and the Studio Museum in Harlem.

In the Place of the Public: Airport Series also comprises vinyl wall texts displayed alongside and amongst the photographs at various heights. These sentences, which Rosler has selected especially for Tate, draw attention to the ways in which airport advertising, signage and architecture in the airport promise to take the visitor elsewhere, mentally as well as physically.

In response to the wide range of emotions many of us experience lately, artist Martin Kersels is developing a glossary of feelings expressed through sound. In this first of two phases, Kersels shares sound expressions of seven emotions. For Phase 2, you're invited to add to the glossary!

Each semester CCS Bard hosts a program of lectures by leading artists, curators, art historians, and critics, situating the school and museum’s concerns within the larger context of contemporary art production and discourse. Lectures are open to students and faculty, as well as to the general public, and will also be documented through video and/or audio recordings, which will reside in the CCS Bard Library and Archives. This talk is co-presented with the Africana Studies Program and Film and Electronic Arts Program at Bard College. Jacolby Satterwhite is celebrated for a conceptual practice addressing crucial themes of labor, consumption, carnality and fantasy through immersive installation, virtual reality and digital media.

Since 1968, The Studio Museum in Harlem has earned recognition for its catalytic role in advancing the work of visual artists of African and Latino descent through its Artist-in-Residence program. The program has supported over one hundred graduates who have gone on to highly regarded careers.

Jacolby Satterwhite is included in the group show Netwoked: Digital Art from the Permanent Collection at the San Jose Museum of Art. 

Sarah Braman and Annette Lemieux are both included in the group show Starting Something New: Recent Contemporary Art Acquisitions and Gifts at the Mead Art Museum at Amherst College.

Pope.L is included in a group exibtion, Water After Fall, at MCA Chicago through June 14, 2020.

Mary Kelly and Justine Kurland are included in the group show, Labor: Motherhood & Art in 2020, at University Art Museum, New Mexico State University. 

Graduating college students at The New School's Parsons School of Design in New York are getting a matriculation gift from Solange Knowles. Through her creative agency, Saint Heron, the award-winning musician and performance artist has partnered with the school to launch Here and Now, a digital festival that will act as a virtual celebration of the Class of 2020, who have been placed in “an unique and unexpected position” due to the coronavirus (Covid-19) pandemic, says Jason Kass, the school's interim dean of fashion.

In addition to showcasing the students’ end-of-the-year projects, Here and Now will also feature Metonymy, a 3D installation created in collaboration with Saint Heron’s creative team, artist Jacolby Satterwhite, and over 300 graduating students from the School of Fashion at Parsons.

THIS LONG CENTURY is an ever-evolving collection of personal insights from artists, authors, filmmakers, musicians and cultural icons the world over. Bringing together such intimate work as sketchbooks, personal memorabilia, annotated typescripts, short essays, home movies and near impossible to find archival work, THIS LONG CENTURY serves as a direct line to the contributors themselves.

Martha Rosler (New York) pioneered the use of video as a tool for social and political analysis. Her practice is built on a multiplicity of artistic languages such as photography, collage or performance, and different ways of activating the social fabric through writing or teaching. The exhibition “How Do We Get There From Here?” presents a selection of works (video, photography and publications) that allow to reflect on one of the most solid, coherent and critical tendencies of our days.

Photography has two relations to art. It can be an art in itself – expressive, subjective, creative, inventive. It can be the mechanical means by which all the other visual arts – from painting and sculpture to performance – are documented, reproduced and publicized. What we know of art, we often know through photographic images of it. Paintings we have never seen in real life. Sculptures we have never walked around.

Pope.L in conversation on Generational Inequality and the Environment.  Please follow the link on the MCA Chicago's website for more information. 

How Can We Think of Art at a Time Like This?  is an online exhibition, co-curated by Barbara Pollack and Anne Verhallen as a platform for the exchange of ideas at this time of crisis.  We invited artists who are considered thought leaders, artists who struggle with futuristic pessimism, political outrage and psychic melt-downs.  The invited artists have responded with unbridled enthusiasm and we will be posting new artists every day for the foreseeable future.

Jacolby Satterwhite is included in the group exhibition Speculative Bodies at the Minneapolis Institute of Art. 

Mary Kelly and Martha Rosler are both included in the group exhibition Theater of Operations: The Gulf Wars 1991-2011 at MoMA PS1.

How do we know what’s real? In the midst of career-marking solo exhibitions at Pioneer Works in Brooklyn and the Fabric Workshop and Museum in Philadelphia, artist Jacolby Satterwhite contemplates some of the most fundamental questions around the relationship between an artist and the works they create. 

Mitchell-Innes & Nash congratulates Pope.L on member: Pope.L, 1978–2001, an exhibition of landmark performances and related videos, objects and installations at the Museum of Modern Art in New York, on view October 21, 2019 through February 1, 2020. MoMA's presentation is part of Pope.L: Instigation, Aspiration, Perspiration, a trio of complementary exhibitions organized by MoMA, the Whitney Museum of American Art and Public Art Fund. 

Martha Rosler is the subject of an upcoming solo exhibiton at The Neubauer Collegium for Culture and Society in Chicago, Illinois. 

Jacolby Satterwhite is the subject a solo exhibiton at The Fabric Workshop and Museum in Philadelphia.

Jacolby Satterwhite in Conversation with Jack McGrath, and Stuart Comer, Moderated by FWM Curator Karen Patterson at The Fabric Workshop and Museum. Please follow the link to the FWM website to register for this event. 

Pope.L and Amanda Ross-Ho are both included in the group exhibtion Mask: In Present-Day Art at the Arguer Kunsthaus.

Martha Rosler is included in the group show traveling from the Smithsonian to the Minneapolis Institute of Art titled Artists Respond: American Art and the Vietnam War, 1965-1975.

Martha Rosler is included in the group exhibition Manifesto: Art x Agency at the Hirshhorn Museum and Sculpture Garden, Washington, D.C.

Mary Kelly is the subject of an upcoming solo exhibition at the Weatherspoon Art Museum in Greensboro, NC. 

For the close of Jacolby Satterwhite’s exhibition You’re at home, the artist is joined in conversation with curator Thomas Lax to expound and reflect upon his digital animations, virtual worlds, and the 3D-printed sculptures that serve as their physical counterparts. The discussion will focus on the effect of Satterwhite’s digital work as well as the themes of the exhibition: American consumerism, pop culture, African folklore, ritual, and personal narratives, all of which are illustrated in Satterwhite’s visually eclectic animated series Birds of Paradise. This exhibition centerpiece and its thematic concerns speak in concert with the other work included in the exhibition.

Jacolby Satterwhite is the subject of an upcoming solo exhibition titled You're at home at Pioneer Works in Brooklyn.

As part of Jacolby Satterwhite’s exhibition You’re at home, PAT—comprised of the artist and musician Nick Weiss (of Teengirl Fantasy)—will perform songs from the duo’s newly released double LP album, titled Love Will Find A Way Home. Within the album, a capella recordings of original songs left behind by Satterwhite’s mother Patricia are remixed and manipulated into propulsive, electronic dance tracks that feature a range of other collaborators. Utilizing the album soundscape as the auditory point of inspiration, the performance will synthesize live choral renditions and thematic light transitions into a holistic live-scoring of Satterwhite’s animated works, including the multipart series Blessed Avenue. Guests from the album will also make special appearances throughout the evening.

Performances of Dressing Up for Civil Rights will take place on Tuesday, November 19 from 1:00–4:00 p.m, Tuesday, December 10 from 1:00–4:00 pm and Tuesday, January 21, 2020 from 1:00–4:00 pm at the MoMA, Floor 1. Performances will occur approximately within the hours of 1:00 and 4:00 pm and are free with museum admission. 

A performance of Eating the Wall Street Journal will take place on Sunday, November 17 from 2:00–4:00 p.m, Sunday, December 8 from 2:00–4:00 p.m. and Sunday, January 19, 2020 from 2:00–4:00 p.m. at the MoMA located on floor 3, 3 South, The Edward Steichen Galleries. Performances will occur approximately within the hours of 2:00 and 4:00 p.m and are free with museum admission. 

Pope.L is an internationally acclaimed interdisciplinary artist, perhaps best known for his provocative performances and interventions in public spaces. His work addresses issues and themes of language, gender, race, social struggle, and community. He has received many prestigious grants and awards, including the Guggenheim Fellowship, NEA fellowships, and the USA Fellowship in Visual Arts. He has been included in numerous exhibitions around the world, and in fall 2019 the Whitney Museum and MoMA host simultaneous solo exhibitions, and the Public Art Fund presents a major performance. Pope.L’s sculpture Lever (2016) was included in the group exhibition Mechanisms at the Wattis in 2017.

Yuz Museum is pleased to present Open Feast; Brooklyn-based artist Eddie Martinez’s first solo exhibition in mainland China, from November 7th, 2019 to January 12th, 2020 at Yuz Project Space of Art. Comprised of a new series of drawings and paintings, the exhibition will comprehensively explore the artist’s practice as well as his study of pop culture, sports, art history and his personal experiences.

Gerasimos Floratos has curated a show at the Fountain House Gallery in New York. 

This book presents a newly collected selection of essays and performance and video scripts by artist Martha Rosler, with special emphasis on the construction of the public sphere and the myths of everyday life. The book explores topics ranging from everyday life and the mass media to national security and war and conflict, especially as they affect women. Taking as a starting point her essay Domination and the Everyday —which gives the book its title—the following pages explore the long career of an artist well known for her videos, performances, photos, and other works, as well as for being one of the most original and influential cultural and theoretical critical voices of the past forty years. This book shows Rosler’s ability to create an artwork and generate a discourse to contextualize it. In texts from 1975 to 2016, Rosler reflects on feminist art, the idea of the artist-mother, and gentrification in relation to culture, among many other subjects.

A collaboration between artist Jacolby Satterwhite and musician Nick Weiss—one-half of Teengirl Fantasy—PAT takes its name from Satterwhite’s mother Patricia, who suffered from schizophrenia and died in 2016. She left behind hundreds of a capella recordings on cassette tapes as well as abstract drawings of home goods, such as wet wipes, sugar cubes, and toothbrushes. Incorporating her recordings into their work, Satterwhite and Weiss remixed and manipulated Patricia’s voice into propulsive, electronic dance tracks featuring a range of other collaborators.

At the Whitney, on the occasion of Pope.L’s receipt of the 2017 Bucksbaum Award, the artist will create a new installation entitled Choir. Expanding on Pope.L’s ongoing exploration and use of water, Choir is inspired by the fountain, the public arena, and John Cage’s conception of music and sound. The Whitney presentation is organized by Christopher Y. Lew, Nancy and Fred Poses Curator, with Ambika Trasi, curatorial assistant.

Sarah Braman, Amanda Ross-Ho and Jessica Stockholder are included in the group show Color Field at Crystal Bridges Museum of American Art. 

On September 21, Public Art Fund will present Conquest, Pope.L’s largest group performance to date. Inspired by the artist’s iconic crawls in which he dragged his body across the urban landscape, Conquest will navigate the streets of Downtown Manhattan continuing the irreverent tradition of his more than 30 performative works that have taken place since 1978.

Sarah Braman (MA) creates large-scale sculptures that honor the small moments in our lives that, over time, have a large impact on the development of self.

Jessica Stockholder is the subject of a solo exhibition titled Stuff Matters at the Centraal Museum in Utrecht, Netherlands. 

Mitchell-Innes & Nash congratulates Pope.L on Instigation, Aspiration, Perspiration, a trio of complementary exhibitions of his work in New York organized by the Museum of Modern Art, the Whitney Museum of American Art and Public Art Fund to occur simultaneously in the fall of 2019. 

Martha Rosler is included in the group show Artists Respond: American Art and the Vietnam War, 1965-1975 at the Smithsoniam American Art Museum in Washington D.C.

Mitchell-Innes & Nash congratulates Pat O'Neill on Three Answers at the San Francisco Museum of Modern Art, on view April 20 through August 4, 2019. 

Eddie Martinez is the subject of an upcoming solo exhibition, Eddie Martinez: Fast Eddie, at the Museum of Contemporary Art in Detroit. 

If you lived here, it takes its title from the work If you lived here in 1989, where Rosler interrogates the processes of gentrification and social impoverishment in the United States during the Ronald Reagan administration.

Jacolby Satterwhite is included in the group exhibition New Order: Art and Technology in the Twenty-First Century at the Museum of Modern Art in New York. 

Annette Lemieux is included in the group exhibition That Eighties Show at the Nassau County Museum of Art in Roslyn Harbor, New York.

Jay DeFeo is the subject of a solo exhibition at the San Jose Museum of Art in San Jose, California, titled Undersoul: Jay DeFeo.

Since the mid-1990s Monica Bonvicini has been exploring political, social, and institutional situations and their impact on society, as well as on the conditions of artistic production. Her work is direct, merciless, political, and not without a dry sense of humor. In the process, she focuses on the relationship between architecture, gender roles, control mechanisms, and devices of power. Bonvicini has a multimedia approach, using drawing, sculpture, installation, video, and photography. For the Belvedere 21—originally the Austrian pavilion at the World’s Fair in Brussels in 1958—she has developed a site-specific and space-consuming installation that reacts radically to Karl Schwanzer’s architecture. As such, it reflects male-dominated power structures, which are expressed just as much in the constructed space as in art history, politics and language.

Transamerica/n: Gender, Identity, Appearance Today  celebrates the authentic, beautiful, and vulnerable voices of contemporary, North American artists who express their true selves through a broad gender spectrum. Some of the artists identify as LGBTQ+, and some do not. The art in Transamerica/n speaks to family, community, self-discovery, and ultimately identity. Artists’ experiences are highlighted as part of the McNay’s dual commitment to artistic excellence and community impact. 

Presented by The Friends of Education of The Museum of Modern Art, Conversations: Among Friends explores works of art as reflections of their political and social contexts. Inspired by the current exhibition New Order: Art and Technology in the Twenty-First Century, this panel will be moderated by Michelle Kuo, The Marlene Hess Curator of Painting and Sculpture.

Bid on Pope.L in the 2019 White Columns Benefit Auction. All proceeds benefit White Columns, New York's oldest alternative, non-profit space. 

Bid on Pope.L in The Contemporary Art Museum St. Louis Benefit Auction 2019. CAM works to enrich lives and inspire curiosity, creativity, and learning through experiences with contemporary art. Proceeds directly benefit each participating artist and the Museum’s cutting-edge exhibition program and innovative education initiatives.

Eddie Martinez is included in the 2019 amfAR Gala Cannes to benefit amfAR, The Foundation for AIDS Research.

Watch Martin Kersels discuss his second solo exhibition at Mitchell-Innes & Nash, Cover Story. 

Martha Rosler is featured in the two-person exhibition, Martha Rosler / Eric Wesley, at SLASH Art in San Francisco. 

Jacolby Satterwhite is included in the group exhibition Is This Tomorrow? at Whitechapel Gallery, London. 

Mitchell-Innes & Nash is pleased to present a second performance of Monger, a new performance by Martin Kersels to accompany his current solo exhibition Cover Story.

True Blue Mirror is the premiere Bay Area exhibition for artists Ellen Berkenblit and Sarah Braman, featuring recent works by the prolific, mid-career artists and curated by Kevin Moore from the McEvoy Family Collection. 

Mitchell-Innes & Nash is pleased to announce representation of Gerasimos Floratos.

Mary Kelly’s site-specific project, curated by Matthew Schum for the Desert X Biennial, returns to the Cold War intervention of Women Strike for Peace, a group formed in 1961 to protest against nuclear weapons testing in the Mojave Desert.  

Mitchell-Innes & Nash is pleased to announce, on the 180th anniversary of Paul Cezanne’s birth, the launch of the artist’s complete online Catalogue Raisonné.

Bid on Eddie Martinez in the Free Arts NYC: Benefit Auction 2019. Free Arts NYC is an arts and mentoring nonprofit dedicated to providing New York City youth with access to the arts and creative careers.

On the occasion of the exhibition Martha Rosler / Eric Wesley, / is honored to present an artist talk by Martha Rosler moderated by the San Francisco-based curator Tanya Zimbardo at Minnesota Street Project on Thursday, April 18, 2019 from 7 to 8:30 PM.

Join Martha Rosler at School of the Art Institute of Chicago on Tuesday, April 16th at 6:00 pm. This event is free and open to the general public. 

Join us Friday, April 5 at 7 pm at Red Bull Arts New York for a screening of Jacolby Satterwhite’s Reifying Desire 5 (2012) and Reifying Desire 6 (2013). 

A selection of Julian Stanczak's work is on view in the Lobby Gallery at 499 Park Avenue through September 13, 2019. 

In anticipation of the upcoming exhibition Eddie Martinez: Fast Eddie at the Museum of Contemporary Art Detroit on view May 10 – August 18, 2019, MOCAD is pleased to offer a silkscreen with hand painting produced in a limited edition to supporters of the exhibition. Each piece within the edition is uniquely worked, with materials ranging from enamel, oil paint, spray paint and collage elements. 

Mitchell-Innes & Nash congratulates Jacolby Satterwhite on his collaboration with Solange on her new visual album. Satterwhite directed, animated and performed in the video for Sounds of Rain, which can be viewed on Apple Music. 

A two person exhibition with Pope.L and Adam Pendleton. 

Julian Stanczak is included in Bauhaus and America. Experiments in Light and Motion, a group exhibition that focuses on artists who, after the Bauhaus was closed in 1933, emigrated to America to carry forward their ideas and experiments there. 

This survey exhibition focuses on the influential artist Martha Rosler in the context of a decades-long practice that continues to evolve and react to the shifting contours of political life.

Jessica Stockholder is the subject of a solo exhibition at the Jones Center at The Austin Contemporary, organized by Associate Curator Julia V. Hendrickson. 

Mitchell-Innes & Nash and the Jay DeFeo Foundation are pleased to support By Women, For Tomorrow's Women, an auction of exclusively women artists organized by Miss Porter's School in Farmington, CT featuring a 1973 unique photograph by Jay DeFeo. All proceeds benefit the school and efforts to underscore the importance of women artists.

In conjunction with the Palm Springs Art Museum, Desert X presents Desert, Why?, a weekend of programming that highlights both Desert X 2019 and Unsettled at the Palm Springs Art Museum. 

To coincide with Master Drawings Week, Mitchell-Innes & Nash is pleased to present a selection of works on paper and sculpture now on view at our Madison Avenue location. Ranging from 1863 to 2017, the installation includes works by both modern masters and contemporary artists in the gallery's program. 

Mitchell-Innes & Nash is pleased to announce Pope.L’s participation in Agora on the High Line with the debut of chmera located on the elevated park at Washington and West 13th Street.

Eddie Martinez is the subject of a solo exhibtion at The Bronx Museum of the Arts, New York. 

The Speed Art Museum presents a solo exhibition of paintings and works on paper by Keltie Ferris.

Video documentation of Pope.L's The Escape, an experimental restaging of one of the earliest extant pieces of African American dramatic literature: the 1859 play The Escape; or, A Leap to Freedom by the abolitionist and freed black slave William Wells Brown, will be available publicity for a limited time. 

The exhibition presents early and recent work by both artists in dialogue to highlight the thematic similarities in their work. 

Monica Bonvicini and Pope.L are included in Foundation for Contemporary Art's sixteenth benefit exhibition, "Adam McEwen Selects: Exhibition to Benefit the Foundation for Contemporary Arts," on view November 29 through December 15 at Gladstone Gallery. All proceeds benefit FCA, the non-for-profit organization founded in 1963 by Jasper Johns and John Cage. 

Friday, December 7, 4-5 pm
Miami Beach Convention Center | Auditorium, West Lobby 
Open to the public and free of charge

Please join Jacolby Satterwhite in conversation with Masha Faurschou and François Quintin, moderated by Elvia Wilk. Virtual reality (VR) art is on the rise, offering audiences a new way to immerse themselves in artistic practices. For this talk, artists and experts come together to discuss the latest conceptual and technological developments in the field, and examine what makes a great VR artwork, as well as which artists are using the medium most skillfully.

Pope.L’s The Escape is an experimental restaging of one of the earliest extant pieces of African American dramatic literature: the 1858 play The Escape; or, A Leap to Freedom by the abolitionist and freed black slave William Wells Brown. Through comedy and critique, Brown’s story charts the push and pull of sex, power, and black agency on a Southern plantation before the Civil War. Pope.L’s rendition deconstructs and reassembles fragments of the original play, agitating and transfiguring the material in the process.

Bid on Pope.L in The Kitchen Benefit Art Auction Tuesday, November 13, at The Kitchen

Jacolby Satterwhite will participate in MIT List Visual Art Center's 2018 Wasserman Forum on Contemporary Art: Future Genders. 

Susan and Elihu Rose Chief Curator Darsie Alexander speaks with artist Martha Rosler on the occasion of her survey exhibition Martha Rosler: Irrespective at the Jewish Museum.

Pat O'Neill is included in the group show Los Angeles, les anées cool / Judy Chicago at Villa Arson in Nice. The exhibition is centered around Chicago and includes artworks by other west coast contemporaries. 

Sarah Braman is included in XTCA: Cross Town Contemporary Art, an outdoor public art exhibition that seeks to reveal our interconnectedness as citizens and to highlight the gateway district between downtown Amherst and the University of Massachusetts. ​

Bid on Daniel Lefcourt in the 20th aunnual benefit dinner and art auction hosted by Two x Two, now live through Fiday, October 26 at 5 pm CST 

Bid on Pope.L in the Independent Curators International (ICI) 2018 Annual Benefit & Auction, now live on Artsy through October 23, 2018 at 10:30 pm EDT. 

Jessica Stockholder is participating in an online postcard charity sale available through Monday, October 15, at 8 pm.

Jacolby Satterwhite is included in BETWEEN., the fourth installment of We.Construct.Marvels.Between.Monuments., a series of five exhibitions highlighting artists working within the queer and trans diaspora.

Join us for the launch of the new book series “ ” (quotation mark quotation mark) with an introduction and reading by series editors Adam Gibbons and Eva Wilson together with Amal Khalaf (of the artist collective GCC) on Saturday, October 13, at 5 pm.

Tenderbooks | 6 Cecil Court, London

Josephine Nash is one of Artsy's "25 Rising Power Players Who Will Run the Art Market."

Please join us on Wednesday, October 3 for a conversation with Pope.L and Noam Segal at the gallery's Chelsea location. 

Julian Stanczak and Jessica Stockholder are included in the FRONT International: Cleveland Triennial for Contemporary Art's first edition titled An American City: Eleven Cultural Exercises, running July 14, 2018 through September 30, 2018. 

Jacolby Satterwhite presents a 3D animated video projection and panoramic picture scroll of the 14th century danshoku (homsexuality) at his solo exhibition at Asakusa in Tokyo, Japan.

Recently acquired by the museum, Pope.L's Fountain (reparations version) (2016-17) is now on view at the Carnegie Museum of Art in Crossroads, curated by Eric Crosby. 

La Panacée presents Pope.L's first major solo exhibition in France, One thing after another, on view in Montpellier through August 26, 2018. The exhibition includes early and recent work, as well as a new site-responsive project, in which Pope.L questions our relationship to and structuring of logic and knowledge within an ongoing irreverence to social construction.

Mitchell-Innes & Nash congratulates GCC on their inclusion in Hello World. Revising a Collection at Hamburger Banhof, on view now through August 26, 2018. 

Bid on a work on paper Keltie Ferris in the California Coalition for Women Prisoners 2018 Benefit Auction August 15 through August 29, 2018.

X-TRA presents a reading of "The Cypress," an original short story by Pope.L commissioned for the X-TRA Artist Writes program. A conversation between the artist and curator Hamza Walker will follow. The program is hosted by The Underground Museum in Los Angeles. 

Monica Bonvicini's hot-sculpted glass sculpture, Bonded, was selected to be a part of the New Glass Review 39

Mitchell-Innes & Nash is pleased to announce representation of Jacolby Satterwhite. 

Listen to Jessica Stokcholder in conversatino with Duncan Mackenzie on the podcast, Bad at Sports. 

Mitchell-Innes & Nash congratulates Atelier Aziz Alqatami of artist collective GCC and Monica Bonvicini on their inclusion in the 16th Venice Architecture Biennale. The pavilion calls into question hetero-normative considerations of architectural space.

Bid on Sarah Braman, Keltie Ferris and Eddie Martinez in the 2018 White Columns Benefit Auction. All proceeds benefit White Columns, New York's oldest alternative, non-profit space. 

BBC Four presents "Rebel Women: The Great Art Fight Back," broadcasting tonight at 10:30 pm (BST). Mary Kelly is one of fourteen artists interviewed, along with Carolee Schneemann, Alison Gingeras and Laurie Simmons, to tell the story of revolutionary women artists fighting for liberation in the late 1960s.

Mitchell-Innes & Nash is pleased to announce representation of the Foundation of Kiki Kogelnik. 

Three works are installed in the library where they exist in and amongst other objects that they are similar to.  Each of the works, Sorrow, Keeping Abreast, and Ceded takes as its staring point a generic desktop electronic device.

Tea & coffee and collection tour: Thursday, February 8 from 3-5 pm

The New Hall Art Collection presents an exhibition detailing Mary Kelly's time in Cambridge as artist in residence with Kettle's Yard. Kelly's work Extase, part of the series Interim, was the catalyst for the New Hall Art Collection, now the largest collection of modern and contemporary art by women in Europe. 

Jay DeFeo is the subject of a major survey exhibition, The Ripple Effect, at Le Consortium, Dijon. 

Welcome Editions are limited edition art objects designed by nationally recognized artists and fabricated at least in part by the refugee and immigrant women of the Welcome Project. Chris Johanson and Johanna Jackson have created an edition of 75 woodblock printed denim capes and blankets, along with 50 woodblock prints on paper with the same design. 

Kim Hastreiter, Cheryl Dunn, Chris Johanson, Johanna Jackson and Josephine Nash invite you to join us at Mitchell-Innes & Nash on Wednesday, May 16 to purchase an edition. Light refreshments will be served. 

Join us at The 2018 Aldrich Benefit Bash on Saturday, April 21 from 7 to 10 pm, honoring Jessica Stockholder and chaired by Lucy Mitchell-Innes. 

Mitchell-Innes & Nash congratulates Jessica Stockholder on her inclusion in the 2018 Class of the American Academy of Arts and Sciences. 

Bid on Eddie Martinez and Brent Wadden in the Free Arts NYC: Benefit Auction 2018. Free Arts NYC is an arts and mentoring nonprofit dedicated to providing New York City youth with access to the arts and creative careers.

Sarah Braman is included in MASS MoCA's exhibition, In the Abstract. 

Please join Art Metropole for a book launch and signing with AA Bronson of The Estate of General Idea on Wednesday, March 28 from 7 to 9 pm at the Gladstone Hotel, Toronto. 

Gladstone Hotel, 2nd Floor Gallery, 1214 Queen Street W, Toronto 

Join us for a talk with Amanda Ross-Ho at The New School on Tuesday, March 27 at 6:30 pm. The artist will discuss appropriation and dissemination of images, focusing on her most recent public works. 

Two Scores is a solo exhibition of ambitious new work by Vancouver-based artist Brent Wadden, his first in a public institution. Presented across both spaces, Two Scores is dominated by singular woven statements upon the floor and walls. In their dramatic scale and graphic simplicity, they mark a point of departure for the artist, but might also be said to reveal both an unseen structure and a complex set of tensions that quietly anchor Wadden’s ongoing practice as a whole.

Titled GOOD MORNING GCC (.صباح الخير جي. سي. سي), this year’s edition of The Room will recreate a live TV show on site, using the tropes of daytime talk shows commonly featured on TV stations across the Arab world as an anchor for the programming, which will include daily segments such as fashion, cooking and health.

From Wednesday, March 20 – Friday, March 23, GCC’s TV studio set on Fort Island will serve as the background for a series of after-hours parties, featuring a line-up of internationally renowned DJ’s. The night events/segments will take place under the title GCC After Dark.

Please join us for a special talk and book signing with AA Bronson of The Estate of General Idea on Saturday, March 10 at 4 pm. Kindly RSVP to rsvp@miandn.com as space is limited. 

Printed Matter | 231 Eleventh Avenue, New York

GCC is the subject of a solo exhibition, Belief in the Power of Believe, at The James Gallery, The Gradaute Center, CUNY. 

Using only a few select materials, Pope.L creates something – and turns it into a performance form beginning to end. 

Please join us for a special walk through with Dana Miller, whose essay is featured in the exhibition catalogue, on Thursday, March 1 at 5 PM in advance of the opening from 6 to 8 PM at our Chelsea location. 

The Institute of Contemporary Art, Miami will open its new permanent home with a major group exhibition exploring the significance of the artist’s studio, from the post-war period to the present day.

Conceived for the large exhibition hall of the Berlinische Galerie Museum of Modern Art, Bonvicini's installation amongst other things investigates the term facade and its function. The show runs parallel to the 15th Istanbul Biennale in which the artist is also participating and features elements from both cities - Berlin and Istanbul.

Feminism and the State: Art, Politics, and Resistance is a symposium organized by The Feminist Art Project (TFAP), Rutgers, The State University of New Jersey, and presented as a part of the 2018 College Art Association Conference. The TFAP symposium will open space for a discussion of art and art history that sheds light on historical precedents and paths for feminist resistance, with a special focus on methodologies pressing at the limits of art history. Artist Martha Rosler will deliver the keynote address.

Jay DeFeo and Pope.L are included in the Wattis Instutute for Contemporary Arts' exhibition, Mechanisms. 

Amanda Ross-Ho presents a new exhibition for the Dodd Galleries comprised of video, sculpture and textiles. Continuing her ongoing interest in the recursive ecologies of observed phenomena, sites of production, and individual versus collective experience, THIS IS A DEVELOPING STORY combines amplified forms into a theatrical tableau.

Women House is the meeting of two notions: a gender - the female - and a space - the domestic one. Architecture and public space have been masculine while the domestic space was for a long time the prison or the shelter of women: this historical evidence is nevertheless not a fatality and the exhibition Women House shows this. 

The Drawing Center’s forthcoming exhibition Eddie Martinez: Studio Wall, will bring the drawing wall to the museum. The artist will paper the gallery with thousands of sketches that he will change throughout the exhibition’s run. In addition, several large drawings and paintings will be hung on top of these sketches allowing viewers to observe the interconnection between all aspects of Martinez’s practice.

Brown People Are the Wrens in the Parking Lot was intitated by artist and University of Chicago Department of  VIsual Arts Faculty member Pope.L, and facilitated by faculty, students, staff and community members of the Reva and David Logan Center for the Arts to reflect on issues of connectedness, home and immigration. The exhibition is on view from November 10, 2017 through January 7, 2018 in the Logan Center Gallery and gathers various ephemera from the campaign as well as serves as a space for open conversation, relaxation and reflection.

At the center of this exhibition is The Task—a film directed by Ledare during a three-day conference that he organized in Chicago that was structured according to the Tavistock method—a project that involved recruiting 30 participants, securing the collaboration of 10 psychologists trained in the method, and directing a film crew.

UNTITLED PERIOD PIECE is Ross-Ho’s first solo exhibition in the United Kingdom and was originally commissioned by Bonner Kunstverein, Germany and Vleeshal, Middelburg. 

Eddie Martinez: Ants at a Picknic is the artist's first museum solo exhibition. The installation includes a suite of seven new large-scale “mandala” paintings, accompanied by a range of table-top painted bronze sculptures and large graphite drawings.

Martha Rosler is included in the Hessel Museum of Art's exhibition Picture Industry. 

Bid on Sarah Braman, Chris Johanson and Eddie Martinez in the Merge Records Auction. All proceeds benefit the Southern Poverty Law Center and their initiatives to fight hate and bigotry. Along with the original artwork, auction winners will receive an exclusive signed vinyl record by Merge's flagship band Superchunk. 

Mitchell-Innes & Nash congratulates Mary Kelly on the acquisition of her archive by the Getty Research Institute in Los Angeles. The archive not only includes research, documentation and ephemera related to works created between 1968 and 2014 but also Kelly’s collections of Marxist, feminist, and political journals, pamphlets and flyers collected during her time in London and Beirut. Notable projects include Post-Partum Document (1973-79), Interim (1984-89) and Gloria Patri (1992). All documentation will be catalogued and made available to the public by the Institute. 

Borrowing its title from a work of the same name by Allen Ruppersberg—who had his first New York survey at the New Museum in 1985—the event features a selection of public conversations with artists whose exhibitions, works, and interventions have shaped and transformed the identity and history of the New Museum. Engaging in dialogue with each other, the forty artists will discuss an array of topics related to their practice, their history with the Museum, and beyond.

A roundtable discussion considering how memory shapes precedents for intersectional feminism in the present with Mary Kelly, Emily Apter, Sonia Louise Davis, Renee Green, Trista Mallory and Aliza Shvarts, moderated by Courtney Willis Blair in conjunction with the exhibition Mary Kelly: The Practical Past.

Support those impacted by the hurricanes in Puerto Rico by bidding on artworks generously donated by artists including Katherine Bernhardt, Joe Bradley, Keltie Ferris, Angel Otero, Josh Smith, Stanley Whitney and more. All proceeds will go to the MariaFund, which provides immediate relief to Puerto Rican communities in need, and El Serrucho, an emergency grant program that supports artists and cultural workers on the island.

In 2017, the Tate Modern's ARTISTS' CINEMA film series will expand the conversation between film and live performance, and examine artists’ various approaches to ethnography and the representation of cultural identities. The series will also feature the UK premiere of Pat O’Neill’s stunning experimental film Where the Chocolate Mountains.

This year the Atlantic Lecture looks beyond our national boundary across the ocean. Monica Bonvicini is an Italian artist who lives and works in Berlin and teaches sculpture and performance at the Akedemie der Bildenden Künste in Vienna. She is one of the most acclaimed artists to emerge from the mid-1990s. Her multi-faceted practice, which investigates the relationship between architecture, power, gender, space, surveillance, and control, is translated into works that question the meaning of making art, the ambiguity of language, and the limits and possibilities attached to the ideal of freedom.

Sotheby’s Institute of Art – Los Angeles, in conjunction with Claremont Graduate University’s Department of Art and its Atlantic Lecture Series, presents an evening with renowned artist Monica Bonvicini, in conversation with Jonathan T. D. Neil, Director of Sotheby’s Institute of Art – Los Angeles.

Chicago-based artist Pope.L, who has been making public interventionist art for over twenty years, comes to Detroit artist-run gallery What Pipeline with Flint Water, on view September 7 through October 21, 2017. Conceived by Pope.L as one Midwest city helping another, both struck by similar blight, Flint Water is an art installation, a performance and an intervention that calls attention to the water crisis in Flint by bottling Flint tap water and putting it on display in Detroit. 

The conceptual art movement of the 1960s and 1970s continues to exert a strong influence on contemporary art the world over. Art historians Terry Smith and Robert Bailey and artist Mary Kelly, themselves either participants in the movement or scholars now revisiting it, discuss conceptual art’s turn to language within a visual arts context, how conceptual art’s embrace of written and spoken discourse gave art new intellectual powers, and the political, psychological, and philosophical consequences that issue from these transformations.

While her career has encompassed performance, photography, installation and essay writing, Rosler is perhaps best known for her work in video. MACBA Collection. Martha Rosler: God Bless America! focuses on Rosler’s video production through eleven works spanning the 1970s to 2006. The show centres on the key thematic lines in Rosler’s work, where politics as the ideological exercise of power, class hierarchy and economic interest is addressed, especially through the enactment of U.S. imperialism and the social control of women’s bodies. 

From September 16 – November 12, the 15th Istanbul Biennial—which is curated by Elmgreen & Dragset and is centered around the concept of “a good neighbor”—will be staged across six venues in the heart of the Turkish city.

Details about the highly-anticipated exhibition have been released periodically over the past year, initially making waves in April 2016 when the artist duo Elmgreen & Dragset was selected as the 2017 curators. Their appointment was a notable first for the Biennial, which had previously never seen artists moonlight in a curatorial role.

Leigh Ledare is included in the group exhibition THE PUBLIC BODY .02 at Artspace, Syndey. 

Justine Kurland is featured in Fondation Cartier's Autophoto, an exhibition on the relationship between photography and the automobile. 

Join us for the launch and book signing of Eddie Martinez's Drawings, published by Triangle Books, on Friday, September 22 from 7:30 to 9:30pm at Spoonbill Studio, Brooklyn. 

Mitchell-Innes & Nash congratulates Pope.L on his inclusion in documenta 14 for which he conceived a new sound performance piece that takes place partially in the streets. The "Whispering Campaign" will run for the 100 days in both Athens and Kassel. Five performers will wander throughout designated areas of the city either broadcasting a pre-recorded score in English, Greek and German or whispering live their observations as they roam the city. 

Performances occur Tuesdays, Thursdays, and Saturdays in designated areas throughout both cities. In addition to the live performances occurring three days a week, there will be several broadcasts of the pre-recorded text will play at select documenta 14 venues.

Worms, Birds, People, and Air
The Art of Oh No and Dissociative Thinking
by Chris Johanson

Opening Reception on Friday September 15th
8pm-11PM
Musical Performance by Sally Timms and Sunfoot

A conversation between artist Karl Haendel and Leah Levy, director of The Jay DeFeo Foundation, moderated by Claire Gilman, chief curator of The Drawing Center, on the occasion of Karl Haendel & Jay DeFeo: Pink Cup and The Facts at Mitchell-Innes & Nash, NY. 

General Idea is the subject of a solo exhibition at the Musée d'art modern et contemporain, Geneva. 

Mitchell-Innes & Nash congratulates Pope.L on receiving this year’s Bucksbaum Award.

Established in 2000 by longtime Whitney Museum of American Art trustee Melva Bucksbaum and her family, the Bucksbaum Award recognizes an artist included in the Whitney Biennial “who has previously produced a significant body of work, whose project for the Biennial is itself outstanding, and whose future artistic contribution promises to be lasting.”

Sarah Braman is included in the exhibition, Animal Farm, curated by Sadie Laska at the Brant Foundation. 

Two-person exhibition with Los Angeles-based artists Jesse Fleming and Pat O'Neill. 

Jessica Stockholder and Amanda Ross-Ho are included in MOCAD's exhibition titled 99 Cents or Less, curated by Jens Hoffmann, Susanne Feld Hilberry Senior Curator at Large. The large-scale exhibition explores themes of consumption, globalization, labor and income inequality. 

Karl Haendel is included in Kunsthalle Bielefeld's exhibition, Unsere Amerikaner (Our Americans). 

Mitchell-Innes & Nash congratulates GCC on their participation in Public Art Fund's 40th anniversary exhibition, Commercial Break, a citywide exhibition that celebrates and expands on the institutions commitment to media-based art work.

For a special vinyl 7” release to benefit Planned Parenthood, Merge Records and its flagship band Superchunk asked their favorite contemporary artists including Joyce Pensato, Brian Calvin, and Amy Sillman to create unique works of art the size of a 7” record sleeve. Along with the original art, auction winners receive an exclusive pink swirl vinyl edition of the record. All net proceeds will be donated to Planned Parenthood South Atlantic. Please note this auction charges a 20% buyers premium.

Mary Kelly is included in the Katonah Museum of Art's exhibition, Picturing Love: Photgraphy's Pursuit of Intimacy. 

Walk through Art Basel Parcours with Amanda Ross-Ho as she explains her new outdoor installation 'Untitled Finding (ACCESS)'.

Mitchell-Innes & Nash congratulates Pope.L on his inclusion in documenta 14 for which he conceived a new sound performance piece that takes place partially in the streets. The "Whispering Campaign" will run for the 100 days in both Athens and Kassel. Five performers will wander throughout designated areas of the city either broadcasting a pre-recorded score in English, Greek and German or whispering live their observations as they roam the city. 

Performances occur Tuesdays, Thursdays, and Saturdays in designated areas throughout both cities. In addition to the live performances occurring three days a week, there will be several broadcasts of the pre-recorded text will play at select documenta 14 venues.

Mitchell-Innes & Nash congratulates GCC, Leigh Ledare and Pope.L on their inclusion in the 2017 Whitney Biennial co-curated by Christopher Y. Lew and Mia Locks.

Artist Mary Kelly will receive an honorary doctorate degree from the Faculty of Fine and Performing Arts at Lund University in Sweden at a doctorate conferment ceremony in May.

Mitchell-Innes & Nash is pleased to announce representation of Canadian artist collective General Idea. 

Pope.L is included in The Barnes Foundation's exhibition, Person of the Crowd: The Contemporary Art of Flânerie, which features work by more than 50 international artists who have taken to the street to play detective, make fantastic maps, scavenge and shop for new materials, launch guerrilla campaigns, and make provocative spectacles of themselves to speak to issues as diverse as commodity fetishism, gentrification, gender politics, globalization, racism, and homelessness. 

Deeply indebted to the histories of painting, yet realised in an immediately contemporary manner, Martinez’s canvases – formed from oil paint, enamel, spray paint, screen printing and studio detritus – are loaded with coloured, quasi-abstract masses in varying densities juxtaposed against shifting lines. The resulting dynamic imagery moves and merges from figuration to abstraction and back again.

Martha Rosler is featured in the Getty's Breaking News: Turning the Lens on Mass Media. 

Watch the short documentary titled Harmonies of the Abstract about Julian Stanczak by Vincent Prochoroff. 

“It’s exciting to name 173 new Guggenheim fellows,” Edward Hirsch, the foundation’s president, said in a statement. “Each year since 1925, the Guggenheim Foundation has bet everything on the individual, and we’re thrilled to continue to do so with this wonderfully talented and diverse group. It’s an honor to be able to support these individuals to do the work they were meant to do.”

The exhibition at Bonner Kunstverein presents a new body of work inspired in part by Charlie Chaplin’s political comedy 'Modern Times', made in 1936 during the last great global recession.

It is with the saddest regret that Mitchell-Innes & Nash announces the death of Julian Stanczak.

Pope.L is included in the exhibtion, Punching Up, at The Richard and Dolly Maass Gallery at Purchase College, SUNY. 

UnionDocs will screen Martha Rosler's film South Africa: crossing the river without a bridge (2016). 

The Museum of Modern Art has reinstalled its fourth-floor collection galleries with works exclusively from the 1960s. Interweaving works from all of MoMA’s curatorial departments and the Museum Archives, this presentation focuses on a decade in which interdisciplinary artistic experimentation flourished, traditional mediums were transformed, and sociopolitical upheaval occurred across the globe. The galleries proceed chronologically, with work installed by year. This organizing principle steps back from the classification of galleries by art historical themes or “isms” and instead aims to provide a variety of fresh discoveries and unexpected connections. The product of a collaborative effort among curators from all departments, the presentation will undergo periodic reinstallations, reflecting the depth and richness of the Museum’s collection and the view that there are countless ways to explore the history of modern art, architecture, design, and the moving image.

This exhibition brings together a selection of California artists who emerged following the Second World War and took advantage of the region’s permissive atmosphere to help create a thriving new art scene. Artists like John Altoon, Wallace Berman, Bruce Conner, Jay DeFeo, George Herms, and Edward Kienholz were part of a “Beat” generation, whose social critiques would eventually be incorporated into the counterculture and social protest movements that shaped the second half of the 20th century.

Leigh Ledare is featured in Fondazione Prada's Give Me Yesterday, curated by Francesco Zanot. The exhibtion will inaugurate the program of Osservatorio, the foundation's new exhibition space in Milan. 

International House Philadelphia will screen Pat O'Neill's Where the Chocolate Mountains (2015) and Runs Good (1971). 

Mitchell-Innes & Nash is pleased to announce that Monica Bonvicini will be the subject of a major one-person survey at the BALTIC Centre for Contemporary Art, Gateshead, UK. Using sculpture, installation, video, photography, text and performance, Bonvicini's work ranges from the intimate to the architectural in scale, questioning some of the often hidden forces that shape identity. The exhibition, titled her hand around the room, will present an overview of Bonvicini's work from throughout her career alongside specially comissioned new works. 

Martha Rosler describes Susan Meiselas's multi-year project Carnival Strippers, and the intensive engagement Meiselas developed in relation to her subjects.

Martha Rosler will be included in the Jewish Museum's upcoming group show, Take Me (I'm Yours). Originally conceived by curator Hans Ulrich Obrist and artist Christian Boltansky in 1995, the show encourages visitors to participate in the exhibition by touching and even taking home works of art. 

Three bodies of work by Ledare will be on view at Office Baroque’s downtown gallery at Place du Jardin aux Fleurs: Vokzal, The Walk, and The Large Group. These three overlapping works intervene into, or choreograph anew, a series of open systems — submitting both their subjects, and viewers, to distinct social, material or psychological processes. 

For the 2016 Walter Annenberg Lecture, Rosler will speak about her multidisciplinary practice and the genealogy of conceptual and feminist art in the United States with Adam D. Weinberg, the Museum’s Alice Pratt Brown Director.

Vleeshal is pleased to present UNTITLED PERIOD PIECE, a solo exhibition of new work by Amanda Ross-Ho. UNTITLED PERIOD PIECE continues Ross-Ho’s exploration of labor, time and economy. The exhibition will be Amanda Ross-Ho’s first solo exhibition in the Netherlands and is co-commissioned with Bonner Kunstverein, where it will open on January 27 and run to April 2 2017.

To mark the publication of October Files: Mary Kelly, a new anthology of essays and interviews that span the artist’s career, Kelly discusses her work with the critic and theorist Rosalyn Deutsche. 

David Nash included in ARTNEWS' How to Fix the Art World, Part 3. 

The Berkeley Museum of Art Pacific Film Archive will present a wide selection of the films O’Neill has made since the 1960s. 

In conjunction with the exhibition Dreamlands: Immersive Cinema and Art, 1905 - 2016, the Whitney Museum of American Art will be screening Pat O'Neill's 1989 film, Water and Power, on Sunday, November 20th at 3 pm. 

Join us for the launch and book signing of Justine Kurland's Highway Kind on Tuesday, November 15 from 6 to 8pm at Dashwood Books. 

The solo exhibition highlights DeFeo’s Samurai series, a body of paintings on heavy paper influenced by DeFeo’s 1985 trip to Japan as well as the exhibition Spectacular Helmets of Japan, 16 – 19th Century, which she viewed the same year in San Francisco. 

PLAMA is a tv spot Pope.L produced in October 2016 in Warsaw. The spot had its premiere in Poland on November 10, on the eve of the Independence Day in Warsaw and two days past the presidential elections in the U.S.

As part of the Artists on Artists Lecture Series at Dia:Chelsea, Andrea Bowers will give a talk on Martha Rolser's exhibtiion If you can't afford to live here, mo-o-ove!! on Tuesday, September 27 at 6:30 pm. 

Pope.L talks about his most recent performance, Baile, at the São Paulo Biennal. 

Mitchell-Innes & Nash is pleased to announce a new performance piece conceived by Pope.L for the 32nd São Paulo Bienal. 

Blurring the line between painting and sculpture, Jessica Stockholder mixes found and bought objects with constructed and painted elements to a compelling effect. Although currently based in Chicago, Stockholder has exhibited frequently in various New York galleries, as well museums like the Whitney. Over the course of a 30-year career, she’s become one of the most influential artists of her generation, setting the stage for the hybrid style of sculpture and installation that dominates the art world today. Recently, the artist chatted with Time Out New York to discuss her new gallery show in Chelsea at Mitchell-Innes & Nash featuring, colorful assemblages, drawings and a large-scale, site-specific installation.

Mitchell-Innes & Nash is named one of Blouin's 500 Best Galleries Worldwide. 

Martha Rosler will be featured in Gallery 400's upcoming exhibition, "Precarity: Contingency in Artmaking and Academia."  

Martha Rosler's iconic conceptual piece The Bowery in Two Inadequate Descriptive Systems from 1974-5 is to be included in the International Center for Photography's first exhibtiion, titled "Public, Private, Secret." 

Named after its owners, a couple who formerly worked at the storied auction house Sotheby’s, this sky-lit space hosts a wide range of contemporary artists in shows that change roughly every month. 

Postwar classics combine in this booth with more jarring contemporary fare in a vibrant mix with an electric charge.

BASEL, Switzerland — An art fair like the one here this week can feel as hermetic and all-consuming as a casino, so focused are the crowds on buying art — arguably its own form of gambling — and double-kissing that they lose track of time or what’s happening outdoors (in this case, gray skies and sporadic drizzle).

Presented in conjunction with Galerie Nagel Draxler, Martha Rosler's House Beautiful: Bringing the War Home from 1967-72 will be included in the Unlimited Section at Art Basel 2016. 

With market prognosticators fearing a tepid start to Art Basel amid an international slowdown in art sales, the world’s biggest galleries shipped a ballsy set of offerings to Switzerland.

Mitchell-Innes & Nash announces The Problem, a new performance piece conceived by Pope.L staged for the opening of Unlimited during Art Basel in Basel. 

Leigh Ledare is to participate in Manifesta 2016 in collaboration with Christian Jankowski. Ledare will present a project with Dr. Christoph Müller, group therapist and doctor for childhood and adolescent psychiatry and psychotherapy in Zurich. 

Please join us this Saturday, May 21 at 4 pm for a panel discussion on the life and work of Tom Wesselmann.

Moderated by Lucy Mitchell-Innes, the panelists will include: Isabelle Dervaux, Curator of Modern and Contemporary Drawings, The Morgan Library & Museum; Jamian Juliano-Villani, artist; Michael Lobel, Professor of Art History, Hunter College and Jeffrey Sturges, from the Tom Wesselmann Estate.

LAxART is pleased to present a collaborative exhibition by Karl Haendel and Tony Lewis. This exhibition developed out of conversations around the possibilities of drawing as a personal, material, and metaphoric practice, an ongoing dialogue largely began when Lewis was Haendel’s student at the School of the Art Institute of Chicago. Since that time, the artists have continued an exchange around their respective approaches to drawing and this exhibition marks the first time such dialogues have been made public. The selected works reflect a shared interest in figuration, social conduct, familial relations, the efficacy of communication, and drawing as a personal and idiosyncratic language.

Curated by Arnold Lehman, Artspace has partnered with The Lesbian, Gay, Bisexual & Transgender Community Center of New York for a benefit auction at their annual Center Dinner fundraiser, this year honoring Mary-Louise Parker and Timothy Chow. The auction, featuring artworks by Keltie Ferris, Deborah Kass, Shepard Fairey, Inez and Vinoodh and more, is now open for bidding. The online auction closes on Thursday, April 14, at 9:15 p.m. EST.

About The Center: The Center fosters a welcoming environment where everyone is celebrated for who they are. We offer the LGBT communities of NYC health and wellness programs; arts, entertainment and cultural events; recovery, wellness, parenthood and family support services.

Less Than One is an international, multigenerational group show offering in-depth presentations of work from the 1960s to the present by 16 artists central to the Walker’s collection. Included alongside such signature artworks as Sigmar Polke’s Mrs. Autumn and Her Two Daughters (1991) are major acquisitions on view here for the first time, including Ericka Beckman’s You The Better, Film Installation (1983/2015), Adrian Piper’s The Mythic Being: Sol’s Drawing #1–5 (1974), and Renée Green’s Bequest (1991), among other featured pieces.

Featuring works by some 30 artists, Ordinary Pictures surveys a range of conceptual image-based practices since the 1960s through the lens of the stock photograph, an under-researched yet pervasive aspect of our visual culture. Despite its apparent throwaway status, the stock image comprises the primary commodity of a billion-dollar global industry with far-reaching effects in the marketplace and the public sphere.

This exhibition chronicles Pop art’s emergence as an international movement, migrating from the United Kingdom and the United States to western and eastern Europe, Latin America, and Japan. Although Pop arose in distinct forms within each region, artists expressed a shared interest in mass media, consumerism, and figuration. International Pop navigates a fast-paced world packed with bold and thought-provoking imagery, revealing a vibrant cultural period shaped by widespread social and political revolution.

Built up in layers of spray gun washes and palette knife zips, these fresh and original large-scale abstractions reference textiles, graffiti, and modernist painting through a pixilated haze of neon, dark night tones, and tempered pastels. The body prints are an extension of this layered approach to image-making.

In the spring of 2015, with the assistance of a Creative Capital grant, O’Neill completed a new feature film entitled Where the Chocolate Mountains. Following the New York debut at Anthology Film Archives earlier this year, Mitchell-Innes & Nash is excited to be screening this new feature for a one-night-only event at the Chelsea gallery.  Refreshments and snacks will be served; no RSVP required.  Run time is 55 minutes.

While we may think we know pop inside-out through the well-documented and widely discussed work of Andy Warhol and his peers, the spirit of pop not only manifested itself in Warhol’s paintings of Marilyn Monroe and Campbell’s soup cans, it also influenced the look of chairs, sofas, lamps, and even architecture during the culturally ebullient 1960s and 1970s. Pop Art Design, an exhibition organized by the Vitra Design Museum, one of the preeminent furniture and design museums in the world, pairs iconic design objects with artworks from this celebrated era to show the cross-pollination between these creative worlds.

In the spring of 2015, with the assistance of a Creative Capital grant, Pat O’Neill completed a new feature film entitled Where the Chocolate Mountains.  Mitchell-Innes & Nash is excited to be screening this new feature for a one day only event at Anthology Film Archives on Sunday December 13, 2015 at 1 pm.  The film has a 55 minute run time and will followed by a discussion between Pat O’Neill and independent curator Tina Kukielski. 

At key moments in history, artists have reached beyond galleries and museums, using their work as a call to action to create political and social change. For the past hundred years, the term agitprop, a combination of agitation and propaganda, has directly reflected the intent of this work.

The Rubell Family Collection/Contemporary Arts Foundation is pleased to announce its upcoming exhibition, NO MAN’S LAND: Women Artists from the Rubell Family Collection, on view in Miami from December 2nd, 2015 through May 28th, 2016. This exhibition will focus on and celebrate work made by more than a hundred female artists of different generations, cultures and disciplines. These artists will be represented by paintings, photographs, sculptures and video installations that will entirely occupy the Foundation’s 28-gallery, 45,000-square-foot museum. Some galleries will contain individual presentations while others will present thematic groupings of artists. Several installations have been commissioned specifically for this exhibition.

Curated by Nicholas Baume, Director and Chief Curator of the Public Art Fund, this year's Art Basel Miami Beach Puclic sector will feature The Beautiful, a new performance by Pope.L.

Cage Unrequited is a 25-hour marathon reading of experimental composer John Cage’s influential book Silence: Lectures and Writings (1961) organized by visual artist Pope.L. The performance reimagines the book for contemporary audiences by filtering a bit of the past through the voices and attitudes of a diverse community of more than 100 invited readers from Chicago.

A project of the Kunstraum Kreuzberg / Bethanien, curated by Boaz Levin and Marianna Liosi, sponsored by the Capital Cultural Fund.

In January 2011, social protests broke out in Tunisia  which soon spread to other Arab states. In the Western media reports quickly circulated with images of protest graffiti, which were cited as coming from social networks such as Facebook and Twitter. These pictures are often regarded as evidence of the emancipatory potential of the new media.

Everything Jessica Stockholder touches turns to art.

Over the past three decades this has included worn-out couches, an urban intersection, refrigerator doors, a scissors lift, fresh oranges and lemons, a compact car, a mattress, a streetlight, a bathtub, a full-size freezer chest, half-a-dozen wooden dressers and a city park.

The HKW project Wohnungsfrage investigates the tension-ridden relationships between architecture, housing, and social reality in an exhibition of experimental concepts for living, a publication series and an academy.

In the affirmative culture of the art market, where art is tolerated as essentially nonthreatening, what is the place and role of negative affects? The Cringe suggests some of the potential gains of anxiety, embarrassment, shame and mortification through the dark humor of two New York based artists, performers, choreographers and dancers. Previously presented at the Center Pompidou, Paris and Hauser and Wirth, Zurich Ieva Misevičiūtė’s Lord of Beef presents a series of impersonations: dance and speech acts depicting objects, people, phenomena, and philosophical concepts. Rebecca Patek presents a new work that unsettles the controlling codes and rules of the museum and performance space.

In fall 2015, MUMOK will look back at international art activities around 1990. On three levels, we are showing installations, publications, objects, projects, films, and interventions by more than 50 artists and artists’ groups. They all question traditional forms of exhibiting and address the pressing social challenges of their time.

This major retrospective exhibition—the first in the United States in more than 35 years and the most comprehensive ever mounted—showcases the pioneering work of Italian artist Alberto Burri (1915–1995). Exploring the beauty and complexity of Burri’s process-based works, the exhibition positions the artist as a central and singular protagonist of post–World War II art. Burri is best known for his series of Sacchi (sacks) made of stitched and patched remnants of torn burlap bags, often combined with fragments of discarded clothing. Far less familiar to American audiences are his other series, which this exhibition represents in depth: Catrami (tars), Muffe (molds), Gobbi (hunchbacks), Bianchi (whites), Legni (woods), Ferri (irons), Combustioni plastiche (plastic combustions), Cretti, and Cellotex works.

This fundraising edition is a singular opportunity to acquire a work relating to Ledare’s Double Bind. Ledare’s complex and critically acclaimed project maps structures of social convention and photographic representation onto the triangular relation between himself, his ex-wife Meaghan Ledare-Feddery, and her current husband Adam Fedderly.

Mitchell-Innes & Nash, ART21 and the Blue Rider Group invite you to an evening with Keltie Ferris. This event will include a screening of the ART21 film New York Close Up "Keltie Ferris Spray Paints in Solitude" and the artist in conversation with Jarrett Earnest of The Brooklyn Rail.

From Latin America to Asia, and from Europe to the Middle East, this explosive exhibition connects the dots between art produced around the world during the 1960s and 1970s, showing how different cultures and countries responded to the movement.

Coinciding with the final day of the exhibition Tom of Finland: The Pleasure of Play, and co-presented with A.R.T. Press, this event marks the launch of the publication Double Bind (A.R.T. Press, 2015) by art historian Rhea Anastas and artist Leigh Ledare. The authors will be joined by artists Daniel Bozhkov, K8 Hardy, and John Miller to extend the discussion activated within the book.

Justine Kurland is included in the Montclair Art Museum group exhibition Work and Leisure in American Art: Selected Works from the Collection. 

In a site-specific Threshold series installation, Jessica Stockholder transforms the Smart’s lobby with a wave of color and texture that climbs to the clerestory, cuts across the floor, and travels outwards into the Museum’s sculpture garden. Rose’s Inclination makes use of ordinary materials—thrift store lamps, paint, Plexiglas, carpet, and even mulch—to “reach up and out” and vibrantly alter the physical experience of the Smart Museum’s modernist architecture.

La Casa dei Tre Oci in Venice, the historical exhibition at the Giudecca, presents the exhibition A look of woman by Francesca Alfano Miglietti (FAM): 250 works conceived and selected to orient the eye and the mind to a world that talks about diversity, responsibility, compassion and justice. An ambitious project that emphasizes how photography in recent decades has chosen to become a kind of consciousness of the world, becoming a witness also of what is often concealed.

Kicking off in Ukraine in September 2015, “The School of Kyiv” will take place in a variety of settings in the city of Kyiv. The international biennial project unites the efforts of artists, intellectuals, social initiatives and institutions in Ukraine, Europe and beyond. The biennial aims at creating a public space of reflection, breaking down barriers, and building bridges in the time of warfare.

Transmissions: Art in Eastern Europe and Latin America, 1960–1980 focuses on the parallels and connections among an international scene of artists working in—and in reference to—Latin America and Eastern Europe during the 1960s and 1970s. The radical experimentation, expansion, and dissemination of ideas that marked the cultural production of these decades (which flanked the widespread student protests of 1968) challenge established art-historical narratives in the West. Artists from Prague to Mexico City developed alternative and ever-expanding networks of distribution and organization, via Paris, Vienna, and Venice, to circumvent the borders established after World War II, local forms of state and military repression, and Western accounts of artistic mastery and individualism. One major transformation across Latin American and Eastern European art scenes was the embrace of institutional critique and an emphasis on the creation of art outside a market context.

The 2015 Biennial of the Americas, kicking off July 14 and continuing through August 30, today announces additional inspiring and innovative public programs and partnerships with featured local and international institutions. Hosted in Denver, the Biennial of the Americas is an international festival of ideas, art and culture. The most inspiring artists, innovators and experts will explore the theme “NOW!,” examining today’s exceptional times in the Western Hemisphere.

The Biennial of the Americas connects business, art, culture and civic leaders from throughout the Americas by building lasting relationships, addressing shared issues and inspiring action.
 

Through the work of more than a hundred international artists, the exhibition The Great Mother analyzes the iconography of motherhood in the art and visual culture of the twentieth- and twenty-first centuries, from early avant-garde movements to the present.

In a true collaboration, Justine Kurland and John Yau shared photographs and poems throughout the making of Black Threads from Meng Chiao, each reacting to the work of the other many times over. 

Curated by David C. Terry, NYFA Director of Programs and Curator and Fellow in Sculpture ‘99

NYFA Curatorial is pleased to announce an exhibition, Triacontagon: A Celebration of 30 Years of the Artists’ Fellowship Program. Triacontagon is a traveling exhibition premiering at Westbeth Gallery featuring 41 NYFA Fellows.

Caro in Yorkshire is a major Yorkshire Sculpture Triangle project that celebrates and commemorates the extraordinary career of SIr Anthony Caro (1924–2013). Distinct yet complementary exhibitions at The Hepworth Wakefield and Yorkshire Sculpture Park consider respectively Caro's concerns with the horizontal plane and painting, given context through an academic programme at the prestigious Henry Moore Institute, Leeds.

Generationalpictomusicapolis is a celebration of collaborative music and art-making. This one night only concert and pop-up exhibition features experimental punk from NO AGE (Randy Randall and Dean Spunt), the barely amplified feel-good vibes of SUN FOOT (Ron Burns,Chris Johanson, Brian Mumford) and the ramshackle psych-folk of DEVIN, GARY & ROSS (Devin Flynn, Gary Panter, Ross Goldstein. Limited-edition, collaboratively made artworks created by each band member are exhibited at the show and are available for purchase.

The Freedom Principle: Experiments in Art and Music, 1965 to Now links the vibrant legacy of the 1960s African American avant-garde to current art and culture. It is occasioned in part by the fiftieth anniversary of the founding of the Association for the Advancement of Creative Musicians (AACM), a still-flourishing organization of Chicago musicians whose interdisciplinary explorations expanded the boundaries of jazz. Alongside visual arts collectives such as the African Commune of Bad Relevant Artists (AfriCOBRA), the AACM was part of a deep engagement with black cultural nationalism both in Chicago and around the world during and after the civil rights era. Combining historical materials with contemporary responses, The Freedom Principle illuminates the continued relevance of that engagement today.

Mitchell-Innes & Nash is pleased to announce a new work by Amanda Ross-Ho for the Public Art Fund's upcoming group exhibition, Image Objects, curated by Andrea Hickey and opening Tuesday, June 30, 2015 from 6 - 7 pm.

Ross-Ho will exhibit a new take on her work from THE CHARACTER AND SHAPE OF ILLUMINATED THINGS, her recent solo outdoor exhibition at the MCA Chicago in 2014.

Image Objects will be on view in New York's City Hall Park in Lower Manhattan, June 30 – November 20, 2015.

Caption: Amanda Ross-Ho, THE CHARACTER AND SHAPE OF ILLUMINATED THINGS (FACIAL RECOGNITION), 2015, Fiberglass, neon, alumninum, steel. All photos: Courtesy of the aritst and Mitchell-Innes & Nash, NY; Photo: Liz Ligon, Courtesy Public Art Fund, NY
 

Endless House considers the single-family home and archetypes of dwelling as themes for the creative endeavors of architects and artists. Through drawings, photographs, video, installations, and architectural models drawn from MoMA’s collection, the exhibition highlights how artists have used the house as a means to explore universal topics, and how architects have tackled the design of residences to expand their discipline in new ways. 

The oldest award of its kind in the United States, the Arts Prize is a testament to the standard of excellence and quality of artists in Northeast Ohio. In addition to artists, the Arts Prize honors individuals who have expanded the community’s participation in the arts and helped make the region more hospitable to creative artistic expression.

Curated by Sarina Basta, this exhibition presents the work of students and graduates of the Beaux-Arts of Paris and guest artists who place pedagogy at the center of their practice, or who use representation of pedagogy as form. The exhibition includes John Baldessari, Joseph Beuys, and Martha Rosler among many others.

The book Double Bind documents conversations between artist Leigh Ledare and art historian Rhea Anastas, provoked by viewing Ledare’s project of the same name as installed at The Box in Los Angeles (2012) and Mitchell-Innes & Nash in New York (2014). Published by A.R.T. Press (2015).

The launch will be held on Monday, June 15 from 7 - 8 pm at Restaurant Birseckerhof Binningerstrasse 15, 4051 Basel.

"Fire and forget" comes from military jargon, and is a term for weapons systems that are no longer used in direct combat with an enemy but are launched from a safe distance. The exhibition FIRE AND FORGET. ON VIOLENCE takes the military expression as the starting point for an examination of the conventional ideas about war and force. It is oriented towards the most visible agent of violence: weapons.

The Lower Manhattan Cultural Council with curators Alex Fialho & Melissa Levin have arranged (Counter) Public Art, Intervention & Performance in Lower Manhattan from 1978–1993: an exhibition featuring artwork and documentation of public art, performance and interventions by Agnes Denes, Eiko & Koma, the Guerilla Girls, Keith Haring, Jenny Holzer, Tehching Hsieh, John Kelly, Pope.L, REPOhistory, Mierle Laderman Ukeles, the collaborative co-creators of Electric Blanket (Allen Frame, Frank Franca and Nan Goldin), and more.

Brent Wadden and Pope.L will participate in the 2015 White Columns Benefit Auction and Exhibition. The exhibition is currently on view and will close with the auction on May 20th at 7 pm.

Caption: Brent Wadden, natural / gray single, 2014

Gender is socially constructed sex. Gender studies examine the way history and culture determine sex. Who a man or a woman is in a given world largely depends on the one who manipulates these images. For centuries the conception of gender has remained in the hands of religions, which have imposed ʻproperʼ social roles on the representatives of different sexes. This has been going for so long that it has come to be seen by many as the law of nature.

Major artists and arts advocates in Cleveland, among them concert promoters Mike and Jules Belkin and leading Op Art painter Julian Stanczak, are among the artists who have been awarded the 2015 Cleveland Arts Prize, the organization announced.

The winners of the annual awards, now in their 55th year, will be honored at the Cleveland Museum of Art at 6 p.m. Thursday, June 25.

[...]

Stanczak, an internationally recognized artist and major figure in the Op Art movement, is a Special Honoree for 2015. He won the Cleveland Arts Prize in 1969.

When the Whitney Museum of American Art opens its new Renzo Piano-designed home in Manhattan’s Meatpacking District on May 1, 2015, the first exhibition on view will be an unprecedented selection of works from the Museum’s renowned permanent collection. Setting forth a distinctly new narrative, America Is Hard to See presents fresh perspectives on the Whitney’s collection and reflects upon art in the United States with over 600 works by some 400 artists, spanning the period from about 1900 to the present. The exhibition—its title is taken from a poem by Robert Frost and also used by the filmmaker Emile de Antonio for one of his political documentaries—is the most ambitious display to date of the Whitney’s collection.

Watch This! Revelations in Media Art presents pioneering and contemporary artworks that trace the evolution of a continuously emerging medium. The exhibition celebrates artists who are engaged in a creative revolution—one shaped as much by developments in science and technology as by style or medium—and explores the pervasive interdependence between technology and contemporary culture. The exhibition includes 44 objects from 1941 to 2013, which were acquired by the museum as part of its longstanding commitment to collecting and exhibiting media art.

Watch This! includes major works by artists Cory Arcangel, Hans Breder, Takeshi Murata, Bruce Nauman, Raphael Montañez Ortiz, Nam June Paik, Martha Rosler, Eve Sussman, Bill Viola and others that highlight the breadth of media art, including 16 mm films, computer-driven cinema, closed-circuit installations, digital animation, video games and more.

The American professor Andreas Huyssen noted how in recent decades there has been slippage in the West that favors look back against that put the focus on the changes that would be about to arrive. If modernity was driven by what might be termed "future present" Postmodernism would be characterized by "present pasts."

Organized by the Walker and on view April 11 through August 29, 2015, International Pop is a groundbreaking historical survey that chronicles the global emergence of Pop Art from the mid-1950s to the early 1970s. Following the Walker’s presentation, the exhibition will travel to the Dallas Museum of Art and the Philadelphia Museum of Art through 2016.

The intricate relationship between the arts and food will be retraced and analysed in the Arts & Foods pavilion, the only thematic area of Expo Milan 2015 to be held in the city. La Triennale, will host the event from 9 April to 1 November 2015.

Mitchell-Innes & Nash is pleased to announce representation of New York-based artist Eddie Martinez. 

Pope.L: Trinket is an exhibition of new and recent work by the Chicago-based artist, an essential figure in the development of performance and body art since the 1970s. The exhibition will be installed in the soaring spaces of the Geffen Contemporary at MOCA and is comprised of large-scale installations, and features a new performance and sculpture work made specifically for the exhibition. Pope.L: Trinket is curated by MOCA Senior Curator Bennett Simpson.
 

Please join us on Saturday, March 7 at 2 pm, the final day of the Nancy Graves exhibition, for a panel discussion on the life and work of the artist.   Moderated by Lucy Mitchell-Innes, the panelists will include Laura Hoptman, Curator, Department of Painting and Sculpture, The Museum of Modern Art, Christina Hunter, Director, Nancy Graves Foundation, New York, author and critic Christopher Lyon and artist Jessica Stockholder.

Produced specifically for the Sign Show, "Plow Pose" investigates I-70 message themes including lifestyle, athletics, religion, and masculinity. The ambiguous composition—is the man restrained by or bursting out of the space?—invites viewers to think about representations of the human body on other billboards and in advertising generally. Haendel's piece also subtly engages its agricultural site in presenting a classic yoga position named for its resemblance to traditional Indian and Tibetan farming equipment.

"Plow Pose" continues a body of work Haendel generated from commercial photographs of women doing yoga, currently on view at Night Gallery in Los Angeles.

Even though globalization has made us aware of the artistic production beyond Europe and the US and the art market searches for new promising talents in the world’s most remote regions, the metropolises’ artistic radiance cannot be dimmed. Considering the “surplus” of important artists that live and work in New York, it becomes evident that the city has lost none of its appeal. This is especially true for the vibrant painting scene that during the last years has been experiencing an increasing inflow of artists from the West Coast. Today, so it seems, painting in New York is as alive as during the times of abstract expressionism in the 1950s and pop art in the 1960s – the only difference being the visibility of the plurality of stiles and forms of expression. After the genre of painting had been declared dead for several decades, it has been enjoying an impressive renaissance with a generation of artists at its base that accept  no dictation of what to do and what not to do. It is without reservations and with every confidence that especially those artists born in the 1970s and early 1980s experiment with the medium of painting, which is why the show in Bonn will put its focus on this generation. The exhibition will include recent and latest works by eleven artists, ranging from the painterly experiments of Matt Connors, to the wild post pop painting of Eddie Martinez, to the neo-conceptual approaches of Antek Walczak and Ned Vena. Without prioritizing one painting style, the show will document the panorama of the genre of painting that has left its ideological battle for its existence behind and returned to playing a major role in art again today.

==#2 Launch @ LA Art Book Fair
Edited by Matt Keegan
Designed by Su Barber
Edition of 500

Thursday, January 29, 6–9 pm

Capricious Booth—F01
The Geffen Contemporary at MOCA
152 North Central Avenue
Los Angeles, CA 90012

Thursday Preview Entry,  $10
Friday—Sunday, Free

Capricious is pleased to announce the release of ==#2, made first available at the upcoming LA Art Book Fair, January 29th-February 1st, 2015.  ==#2 is a non-thematic arts publication contained in a box with a 96-page bound volume featuring artist-to-artist interviews, texts, and transcriptions. Six loose multiples are also included.

Never before has the fall season for the Castello di Rivoli been so full of events and important exhibitions. Among these is one of the most comprehensive the Museum has ever conceived, installed in both the spacious Manica Lunga and in the third-floor rooms of the Sabauda Residence. The event – Manifest Intention. Drawing In All Its Forms – focuses on drawing in its various forms and many modes of expression: from everyday and self-controlled practice to elements of analysis and creative outlets, from a means of communication to the need to express. The absolute protagonist of the exhibition, drawing also proposes a broader reflection on themes that over time have shaped the very concept of a museum and a collection, analyzing the medium’s context both as a sign of the work and as the work itself. Drawing, oftentimes hidden or kept in the shadows, is actually the common ground of artistic practice – be it a sketch, a project, or even a work that is finished and laden with messages.

The next Forum on Contemporary Photography at The Museum of Modern Art will take place on Monday, January 12, 2015 from 6 to 8 PM in the Founders Room at the Museum. Conceived as an experimental platform for free-form critical discussions, the Forums are designed to engage in debates about the perspectives and scope of contemporary photography with leading artists, curators, and theorists in the field.

This session will include Barbara Clausen, Curator and Professor for Performance Theory and History at the University of Québec; Lucy Gallun, Assistant Curator, MoMA; artists Sharon Hayes, Liz Magic Laser, and Jill Magid; and Melanie Kress, High Line Art Curatorial Fellow, who will lead a discussion about the relationship between photography and performance on the occasion of the exhibitions Art on Camera: Photographs by Shunk-Kender, 1960–1971 (on view May 17–October 4, 2015 at The Museum of Modern Art), and Pier 54 (on view November 6 – December 13, 2014 organized by High Line Art at 120 Eleventh Avenue). These exhibitions present, in the first instance, photographs of conceptual art, actions, instructions, and happenings from the 1960s and early ‘70s, with an emphasis on the historic Pier 18 project; and in the second, photographs of contemporary art and actions enacted in 2014 on Pier 54.
 

The Paintings of Paul Cézanne: An Online Catalogue Raisonné is now live! Developed by David Nash, Jayne Warman and Walter Feilchenfeldt, this is the first-ever free online database providing access to full-color images of all known paintings by Cézanne.

A preface is usually written after the fact. And so is this thing you are about to read.

A performance of the text occurred on April 26, 2014 at the Whitney Museum of American Art and was enacted by five street artists (four Chinese and one Caucasian) who drew sketches of the audience. On my signal, they threw these sketches into the air. A dancer playing a waitress repeatedly dropped napkins beneath a sound track of drones, trains, and rains and me, yours truly, at the podium voicing a version of the text that follows. What does a preface ever really tell us? That something else follows. And the thing, the thing that follows, preceded the thing with which you first started.zzZ

Monday, November 17, 5:00 p.m.
Columbus Auditorium, 280 S. Columbus Dr.

Keltie Ferris was born in Louisville, KY, and lives and works in Brooklyn, New York.  Recent solo exhibitions include Keltie Ferris: Doomsday Boogie at the Santa Monica Museum of Art, California, and Body Prints at Chapter, New York. Her works have been included in group exhibitions at institutions such as Contemporary Arts Museum of Houston, Texas; Brooklyn Museum, New York; and Indianapolis Museum of Contemporary Art, Indianapolis. She was recently awarded the Rosenthal Family Foundation Award in Painting by the Academy of Arts and Letters, where her work was included in their 2014 Annual Invitational Exhibition of Visual Arts.
 

Martha Rosler speaks at Paris Photo 2014 with writer and educator Stephanie Schwartz, discussing everything from her early work on the subject of the Bowery, the ethical responsibilities of photographers, the paucity of critics in the US, and the overall critical reception of her work.

Please join us at our Chelsea location on Saturday, November 8 from 4 to 6 pm for the launch of the new monograph Anthony Caro, published by Phaidon.

Anthony Caro Monograph Launch
Saturday, November 8, 4 – 6 p.m.
Mitchell-Innes & Nash
534 West 26th Street
New York, NY 10001

High Line Art presents Pier 54, an exhibition conceived as a tribute to and a reaction against Pier 18, a legendary project organized by artist and curator Willoughby Sharp in 1971.

EXHIBITION
November 6 - December 13, 2014
Exhibition at 120 Eleventh Avenue at West 20th Street
Tuesday - Saturday, 11 am - 6 pm

PUBLIC OPENING: November 6, 6 - 8 pm

‘Popular, witty, sexy, glamorous’ – pop art exploded onto the cultural scene in the 1960s. The pop artists rebelled against ‘high art’ to embrace the new world of advertising, television, film stars, pop music and consumerism. Pop art shocked many but inspired even more.

The American city of the 1960s and 1970s experienced seismic physical changes and social transformations, from urban decay and political protests to massive highways that threatened vibrant neighborhoods. Nowhere was this sense of crisis more evident than in the country’s three largest cities: New York, Chicago, and Los Angeles.

Chris Johanson, an artist featured in I was a double, brings the East Coast premiere of his Portland-based Quiet Music Festival to Saratoga Springs. Johanson, festival founder and organizer, describes the event as a communal listening experience that celebrates emotional, vibrant, and low-volume music honoring the quiet act of listening. Johnason’s band Sun Foot will be joined by national and regional guests.

This exhibition connects the works of fifteen artists and one group; it presents a brief personal history of the radical tendencies of modern and contemporary art in Croatia.

The exhibition is a project organized by Mart, the museum of modern and contemporary art of Trento and Rovereto, with the collaboration of experts in history and contemporary art.

Through the development of a series of complementary contributions, the exhibition draws a distance from a simple reflection about history and offers a more complex overview regarding the topicality of the conflict, which is still today at the centre of debate.

Also on show will be the entire series of House beautiful bringing the war home by Martha Rosler, one of the most noted reflections on the relationship between war and media.

Justine Kurland and Alec Soth In Conversation with Denise Wolff
Presented by the Aperture Foundation

Artists Justine Kurland and Alec Soth (Weinstein Gallery) will speak with “Aperture” Photobook Editor Denise Wolff about “The Open Road: Photography and the American Road Trip,” the first survey book to consider the American road trip as a photographic genre. The book presents some of the best-loved photography, and the story of the open road as photographer’s muse.

IN/SITU provides exhibiting galleries the opportunity to showcase large-scale installations and site-specific works by leading artists during EXPO CHICAGO. Curated by Renaud Proch, Executive Director of Independent Curators International (ICI), the 2014 edition of the program is a reflection on artistic practice in Chicago, and on the intense exchange of ideas that the city generates.

At Navy Pier, IN/SITU is also presented alongside EXPO Projects, organized by EXPO CHICAGO and highlighting works by emerging and established artists.

This year and for the first time, IN/SITU connects to the city beyond its traditional site in Navy Pier. It now extends to IN/SITU Outside, an inaugural program of temporary public art installations situated along the Lakefront and throughout Chicago neighborhoods, presented by EXPO CHICAGO in partnership with Chicago Park District (CPD) and Department of Cultural Affairs and Special Events (DCASE).

On the occasion of the anniversary of the nineties and the tenth anniversary of the death of Julije Knifer (Osijek, 1924 - Paris, 2004). Museum of Modern Art will hold a retrospective of one of the greatest Croatian painters of the 20th century, which will cover more than half a century of his artistic activity.

Broadway Morey Boogie, a group exhibition of outdoor sculpture by Sarah Braman, Dan Colen, Paul Druecke, Lars Fisk, Drew Heitzler, Matt Johnson, Joanna Malinowska, Tony Matelli, Davina Semo, and Devin Troy Strother. The exhibition presented by Marlborough Chelsea, in collaboration with the Broadway Mall Association, runs from Columbus Circle up to 166th and Broadway until February of 2015.

A powerful moment occurs when a narrative is cracked open, when something one expects to be presented simply for what it is, or even more, for fact, is left unguarded as one possibility among many. Suddenly, experiences or information, most typically taken for granted, are made accessible to reflection, debate and perhaps even, a deeper understanding or feeling than would have been possible before.

Gary Lichtenstein Editions at Mana presents Jessica Stockholder: trees, an exhibition featuring original silkscreen monoprints created by Stockholder and Lichtenstein as a result of their collaboration on the production of Hollow Places Court in Ash-Tree Wood for The Aldrich Contemporary Art Museum in 2011. On view from September 14 to October 24, 2014, the exhibition is presented at Gary Lichtenstein Editions, on the second floor of Mana Contemporary.

Join this special hands-on workshop with 2014 Outlooks artist, Virginia Overton, who will be joined by artist Mike Mitchell.  Participants will learn about Virginia’s artistic process while creating their own noise-making artworks from found materials. Recommended for children 5 and up. This program will take place at the western approach to the Outlooks: Virginia Overton site.

If you are attending the event with small children, please allow for up to fifteen minutes of walking time from Museum Hill and South Parking to the site.

The first edition of C.Ar.D. – “Contemporary Art and Design” – inaugurates a series of exhibitions, installations and events by artists, photographers and designers in the hills around Piacenza from 12 September to 12 October 2014.

Justine Kurland: Sincere Auto Care has been selected for the opening night of this year's season of The Review Panel hosting by artcritical.  This popular discussion forum, at the National Academy Museum, sees three critics join David Cohen, artcritical Editor and Publisher, as the moderator, each month for live discussion of current exhibitions in New York recorded for later podcast at artcritical.com.

In its fifth iteration, the Martos Gallery summer exhibition will feature a number of artists invited by curator Bob Nickas to serve as curators, creating shows-within-the show. Outdoors is a show organized by Bob Nickas and Virginia Overton, including works by Sam Anderson, Uri Aran, Lisa Beck, Sarah Braman, Jim Drain, Wayne Gonzales, Eli Hansen, Charles Harlan, Jim Kanter and Lisa Ward, Servane Mary, Jason Metcalf, Greely Myatt, Chuck Nanney, Amy O'Neill, Kelly Parr, Ugo Rondinone, Davina Semo and Aaron Suggs.

The Dorsky Museum is delighted to present Dick Polich: Transforming Metal into Art, an exhibition of work by some of the most important artists of our time who have worked with Hudson Valley Master Dick Polich. Organized by the Samuel Dorsky Museum of Art at the State University of New York at New Paltz, the exhibition will be on display from Aug 27 through Dec. 14, 2014, in The Dorsky’s Morgan Anderson, Howard Greenberg Family, and Corridor Galleries. The public opening reception is Saturday, Sept. 6, 5–7 p.m.

Ace Hotel New York invites you to take a trip to Storm King Art Center. For the month of August, we’re proudly displaying contemporary works on loan from the 500-acre institution — peeks at two special exhibitions on view in 2014: Zhang Huan: Evoking Tradition and Outlooks: Virginia Overton, as well as short video interviews and installation footage.

This groundbreaking exhibition is the first comprehensive survey of performance art by black artists working from the perspective of the visual arts from the 1960s to the present. While black performance has been largely contextualized as an extension of theater, visual artists have integrated performance into their work for more than five decades, generating an important history that has gone largely unrecognized until now.

Western classical music traditionally splits music making into two distinctly separate jobs—composer and performer. The composer invents the ideas behind the music and the performer realizes them. Sometimes the composer and performer are the same person, sometimes they are separated by hundreds of years, but even across great distances of time and space the composer and performer can communicate with each other, through a series of written instructions, called a score. A score is a set of instructions, a rule book, a description of actions the composer proposes to the performer. We value composers by noticing what qualities of rules they invent; we value performers by noticing what they add to / change / emphasize / ignore in the following of those rules. They are two very different jobs.

The exhibited works are on loan from the collection of Museum of Contemporary Art, Zagreb, which will exhibit a large retrospective of Julije Knifer's work in the Fall of works from the 70s up until the last century.  These works are presented along side a selection of documents, which are kept in the Archive of Visual Arts Croatian Academy of Sciences and Arts in Zagreb. Izložba was established by the Ministry of Culture and the city of Osijek, which provided the Museum of Slavonia with the funds to purchase one of Knifer drawings, which is also featured in the exhibition.

One of the most common assumptions about the kitchen is that it is a woman’s space. With this in mind, The Main Dish looks at how modern and contemporary kitchenware reflects attributes of the model homemaker.

“Well into the twenty-first century, artists use variations on the copy (as a strategy, process, or maneuver) to bestow ironic distance, nod in homage, or to furnish an indexical mark of reality. If the copy’s history in art begins, most basically, with the mimetic act—the imitation of nature by human hands—the primacy of realism has arguably since been superseded by the conceptual possibilities of the copy itself. The notion of the copy that springs most readily to mind may be that involving technologies of facsimile (optical, physical; by hand, by machine) but the copy also includes the knock-off, the remake, the reenactment, the meme. At stake in each of these practices—and in “Copied” as an exhibition—is an investigation of what is made or unmade through the act of copying, the ratio of signal to noise that results in the passage from original to offspring.”

Walead Beshty will give a walk-through of the Jay DeFeo exhibition on view at Mitchell-Innes & Nash's Chelsea location on Saturday, May 3^rd at 3 pm. 

A fully illustrated catalogue will be published to accompany the exhibition with an essay written by Beshty titled “The Ritual of Everyday Life: On the Migrating Objects of Jay DeFeo”.

The second artist to be featured in Storm King’s Outlooks series is American artist Virginia Overton. Overton has created a site-specific brass sculpture across an expansive, central, rolling field. A thin tube, some 400 feet in length, will mirror the contours and curves of the sloping hill, carrying sound, picking up slight noises, and allowing visitors different aural experiences on their outdoor treks. The piece suggests tripartite interactivity between itself, Storm King’s visitors, and the topography of its setting.

Conversations

The Conversations, organized by independent curator Douglas Fogle, will offer visitors multiple intellectual perspectives on the use of images by bringing together notable curators and contemporary artists for a discussion of the practice of image-making. Participants will include artists and curators: Walead Beshty, Simon Castets, Doryun Chong, Charlotte Cotton, Clara Kim, Florian Maier-Aichen, Jean-Luc Moulène, Leigh Ledare, Kevin Tent, Stephen Shore, Taryn Simon, Frances Stark, Kerry Tribe, Philippe Vergne and Jeff Wall.

For centuries, the art world and art market were dominated by men—just look at Giorgio Vasari’s The Lives of the Artists, or, more recently, Jonathan Jones’s all-male list of the greatest artworks ever—but that’s beginning to change. Women now occupy top positions in every sector of the art world, and though they are still paid less than their male colleagues in similar roles, they are slowly helping to right the industry’s historic gender imbalance. Herewith, artnet News recognizes the invaluable work of 25 art world power players who are women.

MOCA’s presentation of work by sculptor and installation artist Virginia Overton will encompass new and site-specific works that directly confront the exhibition space and its surrounding materials, which she sources for these pieces. These repurposed obsolete and ordinary objects often embody a heightened awareness of weight, gravity, and suspension. Overton (b. 1971) works from the tradition of post-Minimalism, creating powerful, poetic situations from simple constructions and materials.

Pope.L will participate in Triple Canopy's Media Replication Services at The Whitney Museum of American Art on April 26, 2014 at 6:30 pm.

Pope.L will join scholar Lisa Gitelman and poet Caroline Bergvall in considering the various forms of reproduction enacted in Triple Canopy's 2014 Biennial installation, Pointing Machines.  Media Replication Services and Pointing Machines are components of Triple Canopy’s contribution to the Whitney Biennial.  Tickets for the event may be purchased in advance by clicking here. 

For more information on the event and Triple Canopy, please click here.

New York, March 17, 2014 — The American Academy of Arts and Letters announced today the eleven artists who will receive its 2014 awards in art. The awards will be presented in New York City in May at the Academy’s annual Ceremonial. The art prizes, totaling $112,500, honor both established and emerging artists. The award winners were chosen from a group of 37 artists who had been invited to participate in the Invitational Exhibition of Visual Arts, which opened on March 6, 2014. The Exhibition continues through April 12, 2014, and features over 120 paintings, sculptures, photographs, and works on paper. The members of this year’s award committee were: Lynda Benglis, Varujan Boghosian, Eric Fischl (Chairman), Yvonne Jacquette, Catherine Murphy, Philip Pearlstein, Judy Pfaff, Paul Resika, Dorothea Rockburne, and Terry Winters.

Doomsday Boogie includes several of Ferris’s large-scale paintings, along with a series of thin vertical paintings—physical realizations of the zips that originated in Barnett Newman’s abstract expressionist work.

The exhibition debuts new sculpture, painting, and video by artist Sarah Braman.  For the MFA, Braman has designed works in dynamically leaning cubes of colored glass that will respond directly to the natural glow emanating through the vaulted glass ceiling in the Linde Family wing for Contemporary Art. 

Group exhibition, curated by Francesco Poli

Without cynicism, these painters stage studio experiences in which one sees acts of painterly lovemaking accumulate over time. By tenderly examining the surfaces of their works, one can reconstruct the painterly decisions, additions, revisions, and erasures that lead to the finished image and thereby reconstruct the narrative by which the artists fall in love with their own work. The painterly pleasure they seek is like the fugitive lover whose loss has to be perpetually risked in order to keep their passion level high, and we, the audience, can experience that pleasure vicariously.

Celebrating the publication of Unfamiliar Streets: The Photographs of Richard Avedon, Charles Moore, Martha Rosler, and Philip-Lorca diCorcia author and curator Katherine Bussard joins two leading lights of contemporary art, Martha Rosler and Philip-Lorca diCorcia to discuss how cities, especially New York, have shaped their practice's engagement with street photography.

At the beginning of the 1990s, Martin Kersels experimented with his body. As an active member of the group SHRIMPS (Paul Casey, Gayle Youngquist, Steve Nagler, Ryan Hill et Weba Garretson), he performed a series of familiar and simple gestures: holding, throwing, falling, kissing, cadencing, rocking; performances that oscillated between radicality and the absurd, both transpiring through the photographs taken during the performance. Simultaneously, he developed a 3-dimensional work guided by movement. Inspired by objects and the body language of daily life, Martin Kersels builds not only staged spaces where body and machine interact, but also animated sculptures producing incongruous actions and sounds. The bizarre dimension of his work is only a façade, his plastic work is in fact underpinned by a conceptual and critical reflexion on our relations to the world and society. The constant discussion between bodies, space, and the object is an integral part of his practice.

From November 9, 2013 through March 2, 2014, the San Francisco Museum of Modern Art (SFMOMA) will present Project Los Altos: SFMOMA in Silicon Valley, an exhibition sited throughout the downtown commercial core of Los Altos, a town located in the heart of Silicon Valley. Project Los Altos will be on view at indoor and outdoor locations—ranging from commercial spaces to a public intersection—and include existing artworks as well as newly commissioned, site-responsive projects. Featured artists include Jeremy Blake, Spencer Finch, Charles Garoian, Christian Jankowski, Chris Johanson, Mike Mills, Kateřina Šedá, Alec Soth, and Jessica Stockholder.

ARTnews discusses Mitchell-Innes & Nash's collaboration with scholars Walter Feilchenfeldt and
Jayne Warman in producing the first-ever online Cézanne Catalogue Raisonné of paintings.

Ruffneck Constructivists, a group exhibition curated by artist Kara Walker brings together eleven international artists in order to define a contemporary manifesto of urban architecture and change. On view in ICA's First Floor Space from February 12 through August 17, 2014, the exhibition features sculpture, photography, and video. As Walker states, "Ruffneck Constructivists are defiant shapers of environments. Whatever their gender affiliation, Ruffnecks go hard when all around them they see weakness, softness, compromise, sermonizing, poverty, and lack; they don't change the world through conscious actions, instead they build themselves into the world one assault at a time."

A collaborative project created exclusively for the LA Book Fair by Leigh Ledare and Nicolás Guagnini in conjunction with Andrew Roth and PPP Editions. It consists of an intervention into 126 books on the social sciences: Marxism, psychoanalysis, linguistics, anthropology, philosophy, literary and art criticism, cultural studies, and literature. The intervention consists of circular holes filled with a variation of positions and possibilities within human sexual interaction.

Martin Kersels often plays with what's maladapted, off, and decidedly out of shape. Kersels's playfulness often emerges from his own body—in a nod to his physique, Kersels once called a solo show "Heavyweight Champion"—and deeply informs two of his career interests, sound and physical comedy.

My Crippled Friend investigates the recent history of the intersection of painterly abstraction and the object. While “painting as object” has often been a formalist issue, the works in this exhibition gather their identity through the subversion of formalism—scrambling and reassembling themselves in an aesthetic shell game where the act of painting is always an investigation of a painting’s ability to push into objecthood.

More Love gathers a diverse group of artists working in a range of media—video, photography, sculpture, sound, participatory art projects and choreographed events—to investigate how such an integral part of our everyday lives works. How are today’s ideas of relative truth and individual destiny, understood not just through the head but through the heart? What truth can be found in dialogue vs. hierarchy? What is the wisdom in love as opposed to our love of wisdom? This unique exhibition with new commissions and site-adapted installations brings together forty-five works by thirty artists.

You are Here has been conceived around several contemporary artists whose art re-imagines the body and its boundaries. Incorporating a symbolic figurative presence as an alternative to the external appearance of a human figure – a traditional marker of our existence – these works locate the body through spaces, materials, sensations, and information that exist in relation to it (and to us).

One of the recurring themes in California art over the past century is the relationship between abstraction and landscape. Particularly in Southern California, a deep schism opened up in the 1930s between naturalist landscape painters and those of a more modernist inclination, and the breach has never entirely healed. This exhibition, drawn entirely from OCMA’s collection, explores ways in which artists from the West Coast have played a role in transforming landscape into abstraction and then back again.

ENERGY THAT IS ALL AROUND features over 130 early and formative works by five artists—Chris Johanson, Margaret Kilgallen, Alicia McCarthy, Barry McGee, and Ruby Neri—who began their careers in the early 1990s in San Francisco’s Mission District and, by the early aughts, had been identified and celebrated as key members of the so-called Mission School. ENERGY THAT IS ALL AROUND will travel to Grey Art Gallery, New York University, April 15–July 12, 2014.

Chris Martin will participate in See with Fingers a group exhibition curated by Laurel Sparks at The Barbara Walters Gallery.  The exhibition will be open from November 21 – December 20, 2013 at the gallery’s location in the Heimbold Visual Arts Center at Sarah Lawrence College, Bronxville, New York.

An opening reception will be held on Thursday, November 21st from 5 – 7 PM.

Paul Winstanley will be present at Karsten Schubert on November 21st from 6-8 pm for the launch and signing of his most recent publication of Art School.  Filled with photographs of unpopulated studios, Paul Winstanley’s exploration of British art schools highlights their importance at a time when the art school system’s existence is more fraught than ever.

Iconic performance artist Pope.L's Cage Unrequited is a marathon reading of John Cage’s edited anthology, Silence: Lectures and Writings (1961) by over eighty invited collaborators. The performance functions as a refuge, proposing a relationship between the earlier artist’s ideas of indeterminacy, mysticism and chance and the work of contemporary black artists.

Providing a critical history beginning with Fluxus and Conceptual art in the early 1960s through present-day practices, Radical Presence: Black Performance in Contemporary Art chronicles the emergence and development of black performance art over three generations, presenting a rich and complex look at this important facet of contemporary art. The exhibition comprises more than 100 works by some 36 artists, including video and photo documentation of performances, performance scores and installations, interactive works, and artworks created as a result of performance actions.

Art Turning Left is the first exhibition to examine how the production and reception of art has been influenced by left-wing values, from the French Revolution to the present day.

Line Color Illusion: 40 Years of Julian Stanczak showcases paintings and prints collected by the Akron Art Museum since 1970. The exhibition documents both Julian Stanczak’s impressive career as a master of color and the museum’s longstanding commitment to his work.

Chris Martin will be present at Printed Matter on October 26th from 5-7 pm for the launch and signing of his most recent publication of works, Drawings: Chris Martin.  This impressive volume of drawings, selected by the artist and Dan Nadel, was published by PictureBox in 2013 and traces the development of Chris Martin's works on paper over the past three decades.

Westfälischer Kunstverein proudly presents Virginia Overton's first exhibition in Germany. Overton's sculptures appear sometimes rough, but always very direct and unique in that they arise from direct confrontation between the artist, the exhibition space and the existing or available materials. 

Los Angeles—The Museum of Contemporary Art presents Within The River of Time Is My Mind, a new exhibition by Los Angeles-based artist Chris Johanson on view at MOCA Pacific Design Center from June 29 through September 22, 2013. Organized by guest curator Andrew Berardini, the exhibition features new paintings, sculpture, and found wood site-specific installation. Known for his figurative work that features text, the exhibition will highlight the kaleidoscopic color and angles that Johanson employs.

A home truth can be simply understood as a fact that is somehow discomforting to acknowledge or may cause embarrassment. The work in this show may do all of those things. The title is there to be taken literally, or ironically. The concept of truths in parenting and photography are there to be questioned. 

Mitchell-Innes & Nash is delighted to announce the nominations of Rob Pruitt's 2013 Art Awards.

Jay DeFeo, Virginia Overton and Jack Goldstein are nominated for Artist of the Year, Solo Gallery Show of the Year and Solo Museum Show of the Year, respectively.

Virginia Overton will participate in a group exhibition at Disjecta, Contemporary Art Center of Portland.  The exhibition was curated by Summer Guthery, Disjecta's 2013–2014 Curator-in-Residence.  The exhibition includes works by Talia Chetrit, Shana Lutker, Virginia Overton, Marlo Pascual, Virginia Poundstone, RH Quaytman, Marina Rosenfeld, Blair Saxon-Hill.

A Selection of the New Media Collection, Musée national d’art moderne, Centre Pompidou, Paris

As a medium, the video has been influenced by the full spectrum of aesthetic currents, and has established itself both as one of the most important contemporary means of artistic expression and as critical instrument. In collaboration with the Centre Pompidou Paris, the exhibition entitled “Vidéo Vintage 1963-1983” shows the emergence of video art from the 1960s to the early 1980s by way of a selection of the most popular works in video art. Of particular interest here is the selection of three focal points “Performance and Filmic Self-portrait”, “Television: Research, Experimentation, Criticism”, and “Attitudes, Forms, Concepts”, which show the development of the video, its artistic application as well as ‘research’ and criticism.

Experiments in the Fault Zone traces some of the key moments and pivotal artistic figures in the arts at Mills from the 1930s to the present, and showcases the College’s internationally renowned commitment to experimentation and collaboration across the fine arts.

Radical Presence chronicles the emergence and develop-
ment of African American performance practices in contemporary art. Surveying the scene from the 1960s to the present day, this major exhibition examines the rich and complex history of black performance in the United States. The show features work of artists such as Benjamin Patterson, David Hammons, Senga Nengudi, and Coco Fusco.

A series of performances by participating artists accompanies the exhibition, which is presented in two parts: Part I, Sept. 10– Dec. 7, 2013, at the Grey Art Gallery, NYU; Part II, Nov. 14, 2013–Mar. 9, 2014, at The Studio Museum in Harlem. Radical Presence is organized by the Contemporary Arts Museum Houston.

Place is the Space marks the beginning of a year-long celebration of the tenth anniversary of CAM's critically acclaimed building. Featuring five new site-specific commissions by major contemporary artists, the exhibition is an unprecedented curatorial collaboration between the building’s architect, Brad Cloepfil, founding principal of Allied Works Architecture, and Dominic Molon, CAM’s chief curator. Known for graceful sculptures that use raw materials such as drywall, mud, and wood beams, Overton will create an elegant arrangement of long metal pipes across architectural voids between the Museum’s main galleries and performance space and between the performance space and lobby. 

Virginia Overton will have a solo exhibition at the Kunsthalle Bern, Switzerland, on view from August 23 - October 6, 2013. 

Jack Goldstein’s 1978 video The Jump will be screened on 15 of the largest digital signs in Times Square. According to a news release from Times Square Arts, the video will premiere “just before midnight” on Aug. 1.

The Art Production Fund, in conjunction with philanthropist Fabiola Beracasa, has announced the opening of an “outdoor pop-up exhibition” in the Long Island town of Montauk.  The exhibition will be held in a vacant lot at 333 Old Montauk Highway, from Aug. 1 to Sept. 8, and will include site-specific installations by Anya Kielar, Virginia Overton and Olympia Scarry. 

Opening Reception: Thursday, August 1, 6 - 8 pm
333 Old Montauk Highway

Los Angeles–based artist Amanda Ross-Ho’s first outdoor public art project, THE CHARACTER AND SHAPE OF ILLUMINATED THINGS, explores how photography is similar to the act of seeing. Updating Joseph Beuys’s famous declaration “Everyone is an artist,” Ross-Ho suggests more specifically that today everyone is a photographer, as the ubiquity and speed of digital photography shapes the way we view and experience the world.

Highlights of the SFMOMA's Collection

Beyond Belief is an expansive exhibition exploring the spiritual dimensions of modern art, especially as seen through the lens of Jewish theological concepts. The exhibition features forty-eight internationally-known artists whose work—painting, sculpture, photography, video, and installation art—are all drawn from SFMOMA’s outstanding collection. Ranging from a 1914 abstraction by Dutch artist Piet Mondrian to a luminous 1960 abstraction by Mark Rothko and oversized prayer beads by contemporary artist Zarina, Beyond Belief provides an engaging alternative that prioritizes spirituality in the reading of art.

Mitchell-Innes & Nash is pleased to invite you to visit Jessica Stockholder's installation, Wide Eyes Smeared Here Dear at Art Unlimited, Booth U37. 

Pope.L in collaboration with the arts organization SPACES, has challenged the city of Cleveland to help him pull an 8 ton former ice cream truck, by hand, 34 miles from the eastside of the city to the westside over 3 days, June 7 to 9. And he needs your help to do it.

This summer Klaas Kloosterboer, Chris Martin and Jim Shaw will transform the Submarine Wharf into a gigantic art studio.