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LEON KOSSOFF Cherry Tree, with Diesel

LEON KOSSOFF
Cherry Tree, with Diesel
2004-5
Oil on board
36 1/4 by 44 1/2 in. 92 by 113 cm

LEON KOSSOFF Cherry Tree, Winter

LEON KOSSOFF
Cherry Tree, Winter
2006-7
Oil on board
36 by 42 1/8 in. 91.5 by 107 cm

LEON KOSSOFF Cherry Tree, Early January

LEON KOSSOFF
Cherry Tree, Early January
2004
Oil on board
56 by 48 1/4 in. 142.5 by 122.5 cm

LEON KOSSOFF Cherry Tree, and Young Girl

LEON KOSSOFF
Cherry Tree, and Young Girl
2007-8
Oil on board
50 1/8 by 48 in. 127.5 by 122.5 cm

LEON KOSSOFF Peggy and John

LEON KOSSOFF
Peggy and John
2006
Oil on board
56 1/4 by 51 in. 142.9 by 129.5 cm.

LEON KOSSOFF Christchurch, Spitalfields

LEON KOSSOFF
Christchurch, Spitalfields
1999-2000
Oil on board
56 by 51 1/8 in. 143 by 130 cm

Press Release

Mitchell-Innes & Nash announces an exhibition of recent work by British painter Leon Kossoff, on view in the Chelsea gallery from May 5 – June 18. The exhibition will feature paintings from the past decade: Kossoff’s first new body of work to be exhibited since 2000. Following his 2009 exhibition at Mitchell-Innes & Nash of works from the 50s and 60s, it will show how Kossoff’s painting has evolved over the past several decades. A fully illustrated catalogue will accompany the show. The exhibition will include a series of landscape paintings centering on an old cherry tree in the artist’s garden. This leaning tree, propped up with two wooden stakes, has become an ongoing subject in Kossoff’s painting. Weathered, falling-down, but lovingly preserved, the tree comes to represent the passing of time and the artist’s lifelong investment in painting. Also included in the exhibition are a number of portraits. Kossoff regularly draws and paints the same subjects again and again: the environs of London, his immediate family, and a trio of loyal studio models. His approach combines a methodical investigation of form through paint, with emotionally resonant subject matter. Using slow and measured observation of his subjects, he often works and reworks his paintings for years. The surfaces of the paintings mirror the passage of time in the outside world, as signs of age and weather become evident. In this recent work, he has lightened his palette as well as his trademark heavily impastoed surfaces, for an overall effect that is painterly yet more pictorial. Leon Kossoff (b.1926) is one of Britain’s greatest living artists. Kossoff’s recent US exhibitions were Drawn to Painting: Leon Kossoff-Drawings and Prints after Nicholas Poussin on view at the Los Angeles County Museum of Art in 2001; After Nicolas Poussin: New Etchings by Leon Kossoff traveled to The Metropolitan Museum of Art and the J. Paul Getty Museum, Los Angeles in 2000; and, Leon Kossoff: Recent Paintings and Drawings at Mitchell-Innes & Nash. International exhibitions of note include Leon Kossoff: Drawing from Painting at the National Gallery, London (2007), Leon Kossoff: Selected Paintings 1956 – 2000 at the Louisiana Museum of Modern Art in Humlebaek, Denmark (2002), Drawn to Painting: Leon Kossoff-Drawings and Prints after Nicholas Poussin at the National Gallery of Australia and Annandale Galleries, Sydney in 2002; a major retrospective at the Tate Gallery in London in 1996 and Kossoff’s exhibition in the British Pavilion at the 1995 Venice Biennale.